Skip to main content

Why Butt Trumpets & Other Bizarre Images Appeared in Illuminated Medieval Manuscripts

In illuminated manuscripts, Medieval Europe can seem more like Monty Python and the Holy Grail than the grim tales of grey-faced, mildewed kings, monks, knights, and peasants turned out by the Hollywood dozen. Yes, life could be brutal, bloody, disease-ridden, but it could also be absurdist and unintentionally hilarious, qualities that reach their apex in the weirdness of Hieronymus Bosch’s “painful, horrible” musical instruments in his Garden of Earthly Delights.

While Bosch painted his nightmarish cacophonies, Medieval scribes’ cats peed and left inky footprints on 15th century manuscripts, within whose illustrated pages, rabbits play church organs, valiant knights do battle with giant snails, and a naked man blows a trumpet with his rear end (a precursor to the man in Bosch’s painting with a flute stuck in his rear.) “These bizarre images,” TED Ed notes, “painted with squirrel-hair brushes on vellum or parchment by monks, nuns, and urban craftspeople, populate the margins of the most prized books from the Middle Ages.”

The animated video lesson at the top by Michelle Brown “explores the rich history and tradition of illuminated manuscripts” in their eccentricity and seeming silliness. The animal motifs in marginal illustrations were neither aimless doodles nor inside jokes. They were allegorical figures descended from the menageries of Medieval bestiaries, repeated thematically to represent human vices and virtues. Rabbits, for example, represented lust, and their music-making was a virtuous sublimation of the same.

These associations weren’t always so clear, especially when they were explicitly religious. The porcupine picking fruit from its spine could represent either devil or savior, depending on context. The unicorn, which can only be killed with its head in the lap of a virgin, might stand for sexual temptation or the sacrifice of Christ. But the few readers in this manuscript culture would have recognized the references and allusions, although, like all signs, the illustrations communicate several different, even contradictory, meanings at once.

And what of the butt trumpet? It is “likely shorthand to express disapproval with, or add an ironic spin to, the action in the text.” The butt trumpet, ladies and gentlemen, is as advertised: that most venerable of expressions, the fart joke, to which there is no witty reply and which—as scatological humor can do—might be slyly subversive political critique. Literate or not, Medieval Europeans spoke a language of symbols that stood in for whole folk traditions and theologies. The butt trumpet, however, is just objectively, crudely funny, probably as much to the artists who drew them as to those of us, hundreds of years later, encountering them for the first time. See several more examples here and learn more about Medieval and Renaissance manuscripts here.

Related Content:

Listen to a Recording of a Song Written on a Man’s Butt in a 15-Century Hieronymus Bosch Painting

The Flute of Shame: Discover the Instrument/Device Used to Publicly Humiliate Bad Musicians During the Medieval Period

Why Knights Fought Snails in Illuminated Medieval Manuscripts

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Why Butt Trumpets & Other Bizarre Images Appeared in Illuminated Medieval Manuscripts is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3mZqyk8
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...