Skip to main content

A Visual History of The Rolling Stones Documented in a Beautiful, 450-Page Photo Book by Taschen

There is a certain look that screams rock ‘n’ roll—one part outlaw biker, one part psychedelic magician, one part pimp, one part circus performer…. But where did it come from? We could trace it back to Link Wray, Little Richard, Elvis, Screamin’ Jay Hawkins. But the Rolling Stones refined and perfected the look, as they refined and perfected the slurred, shambling barroom blues that became a signature sound at their peak. Even punks who rejected the rock star image couldn’t help looking like Keith Richards at times. It’s unavoidable. The Beatles turned rock into immaculate chamber pop. The Stones turned it into pure, raw, greasy sleaze, and bless them for it.

“Early on,” says photographer Ethan Russell, who photographed them during 1969 and 1972 tours, “the Rolling Stones had this phenomenal edginess in their image, and they were able to carry it into the age of imagery and stay out in front of it. The way the Stones have inhabited their images is one reason they have been able to stay a relevant act over all these years.”

For the band’s 50th anniversary in 2012, they came up with the idea of a massive photo book with Taschen that collects hundreds of photographs from the span of their career. The photos “range from the Stones’ nascent days as blues-crazed boy musicians in houndstooth jackets,” notes The New York Times, “to their most recent years as the leather-faced but stylishly venerable elders of rock ‘n’ roll.”

The book also charts the band’s lineup changes along the way, capturing brilliant and tragic Brian Jones, underrated Mick Taylor, and understated Bill Wyman, who left in the early 90s. Over the years, a couple dozen famous photographers have immortalized them: David Bailey, Herb Ritts, Peter Beard, Andy Warhol, David LaChapelle, Annie Leibovitz, Gered Mankowitz, Cecil Beaton, Anton Corbijn, and so many more—all represented here in glorious full-color spreads. The over 500-page book also includes essays from writers like David Dalton, Waldemar Januszczak, and Luc Sante and an appendix with a timeline, discography, and bios of the photographers.

The Rolling Stones also features images from the Stones’ archives in New York and London, adding “an equally extraordinary, more private side to their story,” writes Taschen. First published in 2012, the book will soon be reissued in an updated edition for 2020. Need a gift for the Stones superfan in your life? Consider a ringing endorsement from another rock star, Anthony Bourdain, who called the book his favorite: “iconic then, iconic now,” says Bourdain, “they wrote the book on what it meant to be rock stars: how to look, dress, behave…. They were the first rock and roll aristocrats.” Pick up a copy of Taschen’s The Rolling Stones, at almost half its original cover price, on Taschen’s website (or alternatively on Amazon).

Related Content: 

Watch the Rolling Stones Play “You Can’t Always Get What You Want” While Social Distancing in Quarantine

The Rolling Stones Release a Long Lost Track Featuring Led Zeppelin’s Jimmy Page

The Rolling Stones Release a Timely Track, “Living in a Ghost Town”: Their First New Music in Eight Years

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

A Visual History of The Rolling Stones Documented in a Beautiful, 450-Page Photo Book by Taschen is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3gKmjqB
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...