What Has the Internet Done to Comedy? A Pretty Much Pop Culture Podcast Discussion (#74)

Does removing gatekeepers mean a more distributed comic landscape, or does it inevitably end with a small number of comics dominating the world? The Internet means that people can and do judge comics based on very short clips, but also makes it easy to follow the activities of someone you discover that you like.

Tiffany comes not from stand-up but from music theater, and is active in creating character-based comedy and novelty songs for Instagram, YouTube, etc. She joins your hosts Erica Spyres, Mark Linsenmayer, and Brian Hirt to explore the types of short-form humor and viewing habits that grow out of video created for TikTok, Snapchat, and other platforms. What’s the creator’s relation to the audience? Social media blurs the line between constructed bits and extemporized commentary. It’s often reacting to current events, yet stays posted long after. “Going viral” is not typically the result of mere organic sharing or chance, and some comics (and their consultants) have really studied the medium to find out what appeals and how to get the word out.

We touch on Carmen Lynch, Sarah Cooper, Eva Victor, Bowen Yang, Coincidance, Miranda Sings, LockPickingLawyer, Jimmy Slonina, AskChickie, and more.

Watch Tiffany’s Fragile White Sadness. And her ode to Disney Plus. Our Long November has passed, thank goodness.

Tiffany also recommends Jen Tullock, Josh Ruben, Jordan Firstman, Megan Stalter, Cole Escola, Crawford Millham Horton, Benito Skinner, Inappropriate Patti, Advent Carolendar, and Marc Rebillet.

Read: “These Comedians Are Using TikTok to Create Some of the Internet’s Funniest (And Wokest) Content)” by Kat Curtis.

Hear more of this podcast at prettymuchpop.com. This episode includes bonus discussion you can access by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.

Pretty Much Pop: A Culture Podcast is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts.

What Has the Internet Done to Comedy? A Pretty Much Pop Culture Podcast Discussion (#74) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.

from Open Culture https://ift.tt/2WHNZTA
via Ilumina

Comments

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album Love and Theft , he lifted the title from a book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca

Arts and Culture

Search This Blog