Skip to main content

Brian Cullman, Veteran NY Music Scenester/Journalist/Producer, Shares His Tunes and Musings About Death: Nakedly Examined Music Podcast #137

Brian started as a teen music enthusiast and journalist as early as 1970, running into folks like Jim Morrison and Nico and making connections with every musician he could lay eyes on. He leveraged this effort into finding vehicles for his songs, first with OK Savant (ca. 1990), a band that frequented CBGBs and then broke up right as it was signed to a major label. After some false starts and life changes, he likewise used his network to support his creation of three and half solo albums starting in 2008. He has also been an active producer and collaborator for artists like Ollabelle, Lucinda Williams & Taj Mahal, and several international musicians.

Each episode of the Nakedly Examined Music podcast involves picking three recordings from an artist’s catalog to play in full and discuss in detail. Your host Mark Linsenmayer here engages Brian about “Killing The Dead” (and we listen to “Wrong Birthday” at the end; see the video below) from Winter Clothes (2020, written with now-deceased Ollabelle guitarist Jimi Zhivago), “And She Said” from The Opposite of Time (2016), and “The Promise” from All Fires The Fire (2008). Intro: “The Book of Sleep” by OK Savant, recorded live at CBGBs in 1990. For more, see briancullman.com.

Watch Brian live (with Jimi Zhivago and others) in 2016. Another new, colorfully animated video is for the bluesy “Walk the Dog Before I Sleep.” One from his previous album is “Everything That Rises.” Hear the full, remastered recording of “The Book of Sleep.” Hear the song he wrong for Nick Drake (whom he opened for in 1970). Hear one of the tunes he did for Rua Das Pretas.

The bass player on Brian’s albums is Byron Isaacs (also of Ollabelle), whom Nakedly Examined Music interviewed for episode #82.

This episode includes bonus discussion and another song, available to Nakedly Examined Music Patreon supporters.

Photo by Bill Flicker.

Nakedly Examined Music is a podcast hosted by Mark Linsenmayer, who also hosts The Partially Examined Life Philosophy Podcast and Pretty Much Pop: A Culture Podcast. He releases music under the name Mark Lint.

Brian Cullman, Veteran NY Music Scenester/Journalist/Producer, Shares His Tunes and Musings About Death: Nakedly Examined Music Podcast #137 is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/38iR2Hk
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

Drunk History Takes on the Father of Prohibition: The Ban on Alcohol in the U.S. Started 100 Years Ago This Month

There may be plenty of good reasons to restrict sales and limit promotion of alcohol. You can search the stats on traffic fatalities, liver disease, alcohol-related violence, etc. and you’ll find the term “epidemic” come up more than once. Yet even with all the dangers alcohol poses to public health and safety, its total prohibition has seemed “so hostile to Americans’ contemporary sensibilities of personal freedom,” writes Mark Lawrence Schrad at The New York Times , “that we struggle to comprehend how our ancestors could have possibly supported it.” Prohibition in the United States began 1oo years ago-- on January 17, 1920--and lasted through 1933. How did this happen? Demand, of course, persisted, but public support seemed widespread. Despite stories of thousands rushing bars and liquor stores on the evening of January 16, 1920 before the 18th Amendment banning alcohol nationwide went into effect, “the final triumph of prohibition was met with shrugs…. The United States had...