Skip to main content

What Ancient Egyptian Sounded Like & How We Know It

If you’ve seen any Hollywood movie set in ancient Egypt, you already know how its language sounded: just like English, but spoken with a more formal diction and a range of broadly Middle-Eastern accents. But then there are many competing theories about life that long ago, and perhaps you’d prefer to believe the linguistic-historical take provided in the video above. A production of Joshua Rudder’s NativLang, a Youtube channel previously featured here on Open Culture for its videos on ancient Latin and Chinese, it tells the story of “the many forms of the long-lived Egyptian languages,” as well as its “ancestors and relatives,” and how they’ve helped linguists determine just how the ancient Egyptians really spoke.

Rudder begins with a certain artifact called — perhaps you’ve heard of it — the Rosetta Stone. Discovered in 1799 during Napoleon’s campaign in Egypt, it “bore two Egyptian scripts and, auspiciously, a rough translation in perfectly readable Greek.” Using this information, the scholar Jean-François Champollion became the first to decipher ancient Egyptian hieroglyphs. But as to the question of what they sounded like when pronounced, the stone had no answers. Champollion eventually became convinced that the still-living Coptic language was “the Egyptian language, the very same one that stretches back continuously for thousands of years.”

Though Coptic sounds and grammar could provide clues about spoken ancient Egyptian, it couldn’t get Champollion all the way to accurate pronunciation. One pressing goal was to fill in the language’s missing vowels, an essential type of sound that nevertheless went unrecorded by hieroglyphs. To the archives, then, which in Egypt were especially vast and contained documents dating far back into history. These enabled a process of “internal reconstruction,” which involved comparing different versions of the Egyptian language to each other, and which ultimately “resulted in an explosion of hieroglyphic knowledge.”

But the journey to reconstruct the speaking of this “longest written language on Earth” doesn’t stop there: it thereafter makes such side quests as one to a “pocket of Ethiopia” where people speak “a cluster of languages grouped together under the label Omotic.” Along with the Semitic, the Amazigh, the Chadic, and others, traceable with Egyptian to a common ancestor, these languages provided information essential to the state of ancient Egyptian linguistic knowledge today. Given the enormous amount of scholarship required to let us know what to call them, it’s enough to make you want ankhs to come back into fashion.

Related Content:

What Ancient Chinese Sounded Like — and How We Know It: An Animated Introduction

What Ancient Latin Sounded Like, And How We Know It

What Did Etruscan Sound Like? An Animated Video Pronounces the Ancient Language That We Still Don’t Fully Understand

What Did Old English Sound Like? Hear Reconstructions of Beowulf, The Bible, and Casual Conversations

Hear The Epic of Gilgamesh Read in the Original Akkadian and Enjoy the Sounds of Mesopotamia

Hear What the Language Spoken by Our Ancestors 6,000 Years Ago Might Have Sounded Like: A Reconstruction of the Proto-Indo-European Language

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

What Ancient Egyptian Sounded Like & How We Know It is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2Jzw4eA
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...