Skip to main content

Peanuts Rock: Watch the Peanuts Gang Play Classic Rock Songs by Queen, Lynyrd Skynyrd, Journey & More

In a very crowded field, Garren Lazar's comical take on Queen’s "Bohemian Rhapsody" is a stand-out.

Comical in the literal sense. Lazar, aka Super G, struck a rich vein when he thought to mash the Rolling Stones’ "Sympathy for the Devil" with footage culled from Charles Schulz’s animated Peanuts specials.

And over the last six years, he’s mined a lot of gold, using Final Cut Pro to pair familiar clips of a drumming Pigpen, Snoopy slapping a double bass, and the iconic “Linus And Lucy” scene from A Charlie Brown Christmas with rock and pop classics.

Schulz, an ardent music lover, frequently pictured his characters singing, dancing, and playing instruments, so Lazar, who has an uncanny knack for matching animated mouths to recorded lyrics, has plenty to choose from.

Charlie Brown’s anxieties fuel the introduction to a 15 minute remix of Lynyrd Skynyrd’s "Free Bird," until he gets hold of the Christmas special’s megaphone…

The megaphone serves Charlie equally well on "Stayin' Alive," the Bee Gees’ disco chart topper, though depending on your vintage, the vision of Snoopy in leg warmers and sweatband may come as a shock. Those clips come courtesy of It's Flashbeagle, Charlie Brown, Schulz’s 1984 goofy spin on FlashdanceFootlooseSaturday Night Fever and other dance-based pop cultural phenomenons of the era. Although that special—Schulz’s 27th—features a rotoscoped Snoopy busting moves originated by Flashdance’s stunt dancer Marine Jahan, that old holiday chestnut still manages to steal the show.

And whenever you need a lift, you can't do better than to spend a few minutes with Lazar’s heady reboot of Chicago’s quintessential 1970s single, "Saturday In the Park," wherein the normally reserved Schroeder reveals a more exuberant side.

Begin your explorations of Garren Lazar’s musical Peanuts remixes on his YouTube channel, warm in the knowledge that he entertains requests in the comments.

via Ultimate Classic Rock

Related Content:

The Velvet Underground as Peanuts Characters: Snoopy Morphs Into Lou Reed, Charlie Brown Into Andy Warhol

Umberto Eco Explains the Poetic Power of Charles Schulz’s Peanuts

The Joy of Experiencing Queen’s Bohemian Rhapsody for the Very First Time: Watch Three Reaction Videos

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine.  Join Ayun’s company Theater of the Apes in New York City this March for her book-based variety series, Necromancers of the Public Domain, and the world premiere of Greg Kotis’ new musical, I AM NOBODY. Follow her @AyunHalliday.

Peanuts Rock: Watch the Peanuts Gang Play Classic Rock Songs by Queen, Lynyrd Skynyrd, Journey & More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/39TjgHK
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their...