Skip to main content

Janis Joplin’s Last TV Performance & Interview: The Dick Cavett Show (1970)

The best celebrity interviewers have the ability to show us how the stars are not like us at all—not only because of the entourages, wardrobes, and bank accounts, but because of the talent for which we revere them —and also how they’re kind of just like us after all: sharing the same insecurities, fears, doubts, forgetfulness, confusion, etc. They are, that is to say, real human beings.

Like no other interviewer on network television before or since, Dick Cavett could draw all of this out of his guests: both their creativity and vulnerability. What seemed like silly chit chat was a disarming camouflage for incisive questions he let casually slip through the banter.

“Cavett’s prime-time show famously featured a who’s who of rock stars that both performed and sat for loose, freeform conversations,” writes Jambase, “which brought the ethos of the hippie generation to the homes of millions.” Amongst his many rock star guests, he developed a special bond with Janis Joplin who sat down with him on August 3, 1970 for her appearance on his show and what would turn out to be her final televised performance and interview.

Joplin belts out “My Baby” and “Half Moon,” which you can see in her full appearance above, with an introduction by Cavett. Then after both songs, she walks over the couch to hang out with the host, who greets with her warmly with, “Very nice to see you, my little songbird.” Cavett poked fun at his guests, but he didn't talk down or kiss up. Most everyone who sat down with him found his dry wit and candor refreshing.

Joplin, who admits she doesn’t like doing interviews, “seems totally at ease during this conversation,” Ultimate Classic Rock points out, “a wide-ranging but informal chat that touches on everything from her feelings regarding concert riots to whether or not she ever waterskis.” She is poised throughout and throws Cavett off-guard with her deadpan humor.


They play off each other in a charming exchange that doesn’t go nearly as deep as her final interview with the Village Voice’s Howard Smith four days before her death that October, but which captures Joplin’s thoughtful, easygoing personality beautifully. Cavett later credited Joplin for sending so many other major rock stars his way after her first appearance on his show in 1968.

“She had done other television she didn’t like very much,” he remembered in 2016 on PBS’s American Masters. "She told people, ‘it’s okay to do his show, he’s not a dreary figure.’” Neither, despite her tragic story, was Janis Joplin. “At once insecure yet full of conviction, opinionated yet concerned about offending, fierce yet tenderhearted,” writes Maria Popova at Brain Pickings; she was, as millions of Cavett’s viewers were delighted to discover, a “complex person brimming with the sort of inner contradictions that make us human.”

Related Content:

Watch Janis Joplin’s Breakthrough Performance at the Monterey Pop Festival: “One of the Great Concert Performances of all Time” (1967)

Watch Janis Joplin’s Final Interview Reborn as an Animated Cartoon

George Harrison in the Spotlight: The Dick Cavett Show (1971)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Janis Joplin’s Last TV Performance & Interview: The Dick Cavett Show (1970) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2PsGWLg
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...