Skip to main content

Free: Read the Original 23,000-Word Essay That Became Hunter S. Thompson’s Fear and Loathing in Las Vegas (1971)

Because my story was true. I was certain of that. And it was extremely important, I felt, for the meaning of our journey to be made absolutely clear. 

The publication history of Hunter S. Thompson’s Fear and Loathing in Las Vegas is the story of gonzo journalism itself, a form dependent upon the unreliability of its narrator, who becomes a central character in the ostensibly real-life drama. In Thompson’s hallucinogenic tales of his travels to Las Vegas with attorney and Chicano activist Oscar Zeta Acosta, the reporter went so far as to become a fictional character.

The journey began with a commission from Rolling Stone to report on the death of reporter Ruben Salazar, killed by a Los Angeles police tear gas grenade at an anti-Vietnam War protest. This trip diverted, however, to Las Vegas, where Thompson drove to report on the Mint 400 desert race for Sports Illustrated. Rather than submitting the 250-word piece the magazine requested, he gave them a 2,500-word psychedelic fugue, the very beginnings of Fear and Loathing. The piece, Thompson later wrote, was “aggressively rejected.”

Instead, Jann Wenner liked what he saw enough to eventually publish it in the November 1971 issue of Rolling Stone as a 23,000-word essay bearing the title of the novel it would become, “Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream.” You can read that by-now familiarly wild account, here. In it, Thompson gave the magazine’s readers a succinct definition of his reporting style:

But what was the story? Nobody had bothered to say. So we would have to drum it up on our own. Free Enterprise. The American Dream. Horatio Alger gone mad on drugs in Las Vegas. Do it now: pure Gonzo journalism.

The term defines the form as the mirror obverse of the American Dream, Thompson’s excesses no more than illicit versions of the culture he picked apart, one that produced an event like the Mint 400, “the richest off-the-road race for motorcycles and dune-buggies in the history of organized sport," he wrote, and "a fantastic spectacle….”

What were Thompson and Acosta (or Raoul Duke and Dr. Gonzo) doing if not holding the main event of disorganized sport in their race across the desert against their own paranoid delusions? The truths Thompson told need never have been factual—they were the outrageous truths we find in any good story, well told: about the bats—as in the famous Goya etching—swarming around the passed-out head of Reason.

Read Thompson's original, now iconic essay here.

Related Content:

Hunter Thompson Died 15 Years Ago: Hear Him Remembered by Tom Wolfe, Johnny Depp, Ralph Steadman, and Others

Read 11 Free Articles by Hunter S. Thompson That Span His Gonzo Journalist Career (1965-2005)

How Hunter S. Thompson Gave Birth to Gonzo Journalism: Short Film Revisits Thompson’s Seminal 1970 Piece on the Kentucky Derby

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Free: Read the Original 23,000-Word Essay That Became Hunter S. Thompson’s Fear and Loathing in Las Vegas (1971) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3ab3mZx
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...