Skip to main content

Prince’s First Television Interview (1985)

By 1985, Prince had made appearances on American Bandstand and Saturday Night Live, toured the world several times, and released seven studio albums, including the groundbreaking Purple Rain and less-than-groundbreaking accompanying film, for which he won an Oscar. He had inadvertently helped launch Tipper Gore’s Parents Music Resource Council after she caught her daughter listening to “Darling Nikki.” He was a bona fide global superstar and one of the biggest-selling artists of the decade. And he had yet to give a single interview.

Well, this isn’t entirely true. During his American Bandstand appearance in 1979, the 19-year-old funk wunderkind responded to questions from Dick Clark with a few guarded, one-word answers. He also gave an interview to his high school newspaper, telling them “I think it is very hard for a band to make it in [Minneapolis], even if they’re good. Mainly because there aren’t any big record companies or studios in this state. I really feel that if we would have lived in Los Angeles or New York or some other big city, we would have gotten over by now.”

Prince got over soon enough, but he didn’t seem at all eager to talk about himself, one of the primary responsibilities of a pop star. It was as though he knew he was so good he didn’t have to advertise. Soon after the release of his seventh album, Around the World in a Day—the source of such hits as “Raspberry Beret” and “Paisley Park”—he gave an interview to Rolling Stone (who described the “Kung Fu Grasshopper voice with which Prince whispers when meeting strangers or accepting Academy Awards.”)

He also agreed to appear on a new cable television station called MTV. The interview, above, begins with the expected question, “Why were you so secretive prior to this?” Prince, surrounded by a cohort of young audience members, says he was “homesick” and pouts. Then we immediately get a better answer to the question when the interviewer asks whether Prince’s need for control came from a troubled childhood. He sneers, calls the question “horrible,” and answers a better one about how he found his musical direction and handled disagreements with his bandmates.

The tone remains strangely combative and Prince remains eerily calm, but his expressive face registers irritation and amusement. “I strive for originality in my music,” he says. He also “remembers how he was influenced by James Brown after dancing on stage with him at just 10 years old, touches on comparisons to musicians like Jimi Hendrix and answers provocative questions about ‘selling out to white audiences’ with Purple Rain,” writes the Vinyl Factory. Watch the full interview above and see if you can better understand why Prince avoided interviews, or why interviewers tried so hard to box him into stereotypical roles.

via Messy Nessy

Related Content: 

Read Prince’s First Interview, Printed in His High School Newspaper (1976)

Academic Journal Devotes an Entire Issue to Prince’s Life & Music: Read and Download It for Free

Four Classic Prince Songs Re-Imagined as Pulp Fiction Covers: When Doves Cry, Little Red Corvette & More

The Prince Online Museum Archives 16 of Prince’s Official Web Sites, Spanning 20 Years

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Prince’s First Television Interview (1985) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3c9lZl1
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca