Skip to main content

Watch The Velvet Underground Perform in Rare Color Footage: Scenes from a Vietnam War Protest Concert (1969)

There are many reasons to think of The Velvet Underground forever in black and white: Nico’s Nordic monotone; John Cale and Moe Tucker’s monochromatic drones; Lou Reed’s perpetual invocation of rock and roll’s black and white 50s origins. White Light/White Heat and its stark black-and-white cover; “The Black Angel’s Death Song,” from their debut; pallid, sun-starved faces and a penchant for black sunglasses; an indelible association with Warhol’s black and white Factory scene….

Then there’s literally the fact that we’ve almost aways seen the band filmed and photographed in black and white, until now. “Yes, you read that right,” announces Dangerous Minds, “previously unseen color film of the Velvet Underground has been discovered!” and boy is it groovy.

Always walking an avant-garde line between proto-punk and psychedelic folk/rock, this footage from 1969 seems to catch the band leaning in the latter direction for Dallas Peace Day, a Vietnam War Protest held on the grounds of the Winfrey Point building overlooking White Rock Lake.

“There were likely between 600 and 3,000 people in attendance,” and the performers that day included Lou Rawls and groups like Velvet Dream, Stone Creek, and Bradley & David. “The VU were in town for a week of shows at a Dallas club.... These were the first concerts they ever played in the south. It’s unknown how the group became involved with Dallas Peace Day.” They were a band in transition. Bassist Doug Yule had recently taken over for the departed John Cale. They were leaving behind their Warhol/Nico/Factory days.

The unearthed film here includes some performance footage, at the top. The band plays “I’m Wating for the Man,” “Beginning to the See the Light,” and “I’m Set Free.” There's also an interview with Sterling Morrison, who talks about the “tone of anarchy” at New York anti-war rallies and the violence in Chicago the previous year. Above, see some silent B-roll and below, a little more footage, with some unrelated, overdubbed music. All of this film comes courtesy of the G. William Jones Film & Video Collection.

The footage “was uncovered only by chance and the archive doesn’t know the original motives for recording it, or even know how they came to obtain the film.” It’s a side of the band we don’t often see. While hardcore fans may be familiar with the post-John Cale—and post-Lou Reed—years, most people tend to associate The Velvet Underground with black leather and white… um… substances… not paisley and peace rallies.

via Dangerous Minds

Related Content:

Andy Warhol Explains Why He Decided to Give Up Painting & Manage the Velvet Underground Instead (1966)

Watch Footage of the Velvet Underground Composing “Sunday Morning,” the First Track on Their Seminal Debut Album The Velvet Underground & Nico (1966)

Hear Lost Acetate Versions of Songs from The Velvet Underground & Nico (1966)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Watch The Velvet Underground Perform in Rare Color Footage: Scenes from a Vietnam War Protest Concert (1969) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2Np2Pww
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...