Skip to main content

Watch The Velvet Underground Perform in Rare Color Footage: Scenes from a Vietnam War Protest Concert (1969)

There are many reasons to think of The Velvet Underground forever in black and white: Nico’s Nordic monotone; John Cale and Moe Tucker’s monochromatic drones; Lou Reed’s perpetual invocation of rock and roll’s black and white 50s origins. White Light/White Heat and its stark black-and-white cover; “The Black Angel’s Death Song,” from their debut; pallid, sun-starved faces and a penchant for black sunglasses; an indelible association with Warhol’s black and white Factory scene….

Then there’s literally the fact that we’ve almost aways seen the band filmed and photographed in black and white, until now. “Yes, you read that right,” announces Dangerous Minds, “previously unseen color film of the Velvet Underground has been discovered!” and boy is it groovy.

Always walking an avant-garde line between proto-punk and psychedelic folk/rock, this footage from 1969 seems to catch the band leaning in the latter direction for Dallas Peace Day, a Vietnam War Protest held on the grounds of the Winfrey Point building overlooking White Rock Lake.

“There were likely between 600 and 3,000 people in attendance,” and the performers that day included Lou Rawls and groups like Velvet Dream, Stone Creek, and Bradley & David. “The VU were in town for a week of shows at a Dallas club.... These were the first concerts they ever played in the south. It’s unknown how the group became involved with Dallas Peace Day.” They were a band in transition. Bassist Doug Yule had recently taken over for the departed John Cale. They were leaving behind their Warhol/Nico/Factory days.

The unearthed film here includes some performance footage, at the top. The band plays “I’m Wating for the Man,” “Beginning to the See the Light,” and “I’m Set Free.” There's also an interview with Sterling Morrison, who talks about the “tone of anarchy” at New York anti-war rallies and the violence in Chicago the previous year. Above, see some silent B-roll and below, a little more footage, with some unrelated, overdubbed music. All of this film comes courtesy of the G. William Jones Film & Video Collection.

The footage “was uncovered only by chance and the archive doesn’t know the original motives for recording it, or even know how they came to obtain the film.” It’s a side of the band we don’t often see. While hardcore fans may be familiar with the post-John Cale—and post-Lou Reed—years, most people tend to associate The Velvet Underground with black leather and white… um… substances… not paisley and peace rallies.

via Dangerous Minds

Related Content:

Andy Warhol Explains Why He Decided to Give Up Painting & Manage the Velvet Underground Instead (1966)

Watch Footage of the Velvet Underground Composing “Sunday Morning,” the First Track on Their Seminal Debut Album The Velvet Underground & Nico (1966)

Hear Lost Acetate Versions of Songs from The Velvet Underground & Nico (1966)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Watch The Velvet Underground Perform in Rare Color Footage: Scenes from a Vietnam War Protest Concert (1969) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2Np2Pww
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

The History of the Fisheye Photo Album Cover

Like gothic script in heavy metal, the fisheye album cover photo seems like a naturally occurring feature of certain psychedelic strains of music. But it has a history, as does the fisheye photograph itself. The Vox video above begins in 1906 with Johns Hopkins scientist and inventor Robert Wood, a somewhat eccentric professor of optical physics who wanted to duplicate the way fish see the world: “the circular picture,” he wrote, “would contain everything within an angle of 180 degrees in every direction, i.e. a complete hemisphere.” Rather than putting them to underwater use, later scientists employed Wood’s ideas in astronomical observation. Their next stop was the professional photography market: the first mass-produced fisheye lens, made by Nikon, cost $27,000 in 1957. From academic journals to the pages of Life magazine: mass media brought fisheye photography into popular culture. An affordable, consumer-grade lens in 1962 brought it within the reach of the masses. For t...