Skip to main content

A Beautiful 1870 Visualization of the Hallucinations That Come Before a Migraine

Headaches number among humanity's most common ailments. The headache-related disorders known as migraines may be rarer, afflicting roughly fifteen percent of the population, but they're also much more severe. Besides a headache that can last as long as three days, migraines can also come with various other symptoms including nausea as well as sensitivity to light, sound, and smells. They even cause some sufferers to hallucinate: the visual elements of these pre-migraine "auras" might take the shape of distortions, vibrations, zig-zag lines, bright lights, blobs, or blind spots. Sometimes they also come in color, and brilliant color at that.

Those colors jump right out of this 1870 drawing by English physician Hubert Airy, with which he sought to capture his own visual experience of a migraine. He "first became aware of his affliction in the fall of 1854," writes National Geographic's Greg Miller, "when he noticed a small blind spot interfering with his ability to read. 'At first it looked just like the spot which you see after having looked at the sun or some bright object,' he later wrote. But the blind spot was growing, its edges taking on a zigzag shape that reminded Airy of the bastions of a fortified medieval town." As Airy describes it, "All the interior of the fortification, so to speak, was boiling and rolling about in a most wonderful manner as if it was some thick liquid all alive."

To a migraneur, that description may sound familiar, and the drawing that accompanied it in the Philosophical Transactions of the Royal Society in 1870 may look even more so. Called "arguably the most beautiful scientific records of migraine aura ever made" by G.D. Schott in Brain, Airy's drawings "record the progress and expansion of his own visual disturbances" over their half-hour-long onset. Apart from their stark beauty, writes Miller, the set of drawings "anticipates discoveries in neuroscience that were still decades in the future," such as the assumption that the hallucinations originate in the brain rather than the eyes and that certain parts of the field of vision correspond to certain parts of the visual cortex.

"There’s still much we don’t know about migraines and migraine auras," Miller writes. "One hypothesis is that a sort of electrical wave sweeps across the visual cortex, causing hallucinations that spread across the corresponding parts of the visual field" — an idea with which Airy's early renderings also accord. And what about the source of all those colors? Electrical waves passing through parts of the brain "that contain neurons that respond to specific colors" may be responsible, but nearly 150 years after the publication of Airy's drawings, "no one really knows." Migraine research of the kind pioneered by Airy himself may have dispelled some of the mystery surrounding the affliction, but a great deal nevertheless remains. Airy's drawings, still among the most vivid representations of the visual aspect of migraines ever created, will no doubt inspire generations of future neuroscientists to find out more.

via Greg Miller at National Geographic and don't miss his book: All Over the Map: A Cartographic Odyssey.

Related Content:

Oliver Sacks Explains the Biology of Hallucinations: “We See with the Eyes, But with the Brain as Well”

When Jean-Paul Sartre Had a Bad Mescaline Trip and Then Hallucinated That He Was Being Followed by Crabs

Hunter S. Thompson’s Personal Hangover Cure (and the Real Science of Hangovers)

Free Guided Imagery Recordings Help Kids Cope with Pain, Stress & Anxiety

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

A Beautiful 1870 Visualization of the Hallucinations That Come Before a Migraine is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2LiAyFX
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

The History of the Fisheye Photo Album Cover

Like gothic script in heavy metal, the fisheye album cover photo seems like a naturally occurring feature of certain psychedelic strains of music. But it has a history, as does the fisheye photograph itself. The Vox video above begins in 1906 with Johns Hopkins scientist and inventor Robert Wood, a somewhat eccentric professor of optical physics who wanted to duplicate the way fish see the world: “the circular picture,” he wrote, “would contain everything within an angle of 180 degrees in every direction, i.e. a complete hemisphere.” Rather than putting them to underwater use, later scientists employed Wood’s ideas in astronomical observation. Their next stop was the professional photography market: the first mass-produced fisheye lens, made by Nikon, cost $27,000 in 1957. From academic journals to the pages of Life magazine: mass media brought fisheye photography into popular culture. An affordable, consumer-grade lens in 1962 brought it within the reach of the masses. For t...