Skip to main content

Two Haruki Murakami Stories Adapted into Short Films: Watch Attack on a Bakery (1982) and A Girl, She Is 100% (1983)

At this year’s Cannes Film Festival, the Award for Best Screenplay went to Ryusuke Hamaguchi’s Drive My Car, an adaptation of a story by Haruki Murakami. So did FIPRESCI Prize, the Prize of the Ecumenical Jury, and no small amount of critical acclaim, suggesting that the code for translating Murakami onto the screen might finally have been cracked. Every now and again over the past forty years, a bold filmmaker has taken on the challenge of turning a work of that most world-famous Japanese novelist into a feature. But until recently, the results have for the most part not been received as especially consequential in and of themselves.

In general, short fiction tends to produce more satisfying adaptations than full-fledged novels, and Murakami’s work seems not to be an exception (as underscored a few years ago by Korean auteur Lee Chang-dong’s Burning). Hamaguchi’s film spins some 40 pages into a running time of nearly three hours, doing the opposite of what other Japanese filmmakers have done with Murakami’s short stories. In 1982, Naoto Yamakawa made one of them into Attack on a Bakery, a short film running less than twenty minutes; the following year, he made another into the even shorter A Girl, She is 100%, running less than fifteen. Today Murakami fans everywhere can watch them both on Youtube, complete with English subtitles.

The material will feel familiar to English-language Murakami readers. A main character of the story “The Second Bakery Attack” reminisces about a robbery he attempted as a hungry young man that went comically off the rails, in a manner similar to the one in Yamakawa’s first short. (In 2010 “The Second Bakery Attack,” wherein the now-married narrator robs a fast-food joint with his new bride, itself became a short film directed by Carlos Cuarón, brother of Alfonso.) Though “The Bakery Attack” has never been officially published in English, “On Seeing the 100% Perfect Girl One Beautiful April Morning” has, and it now stands as one of Murakami’s representative short works in that language; it also, in the original, provides the basis for A Girl, She Is 100%.

“She doesn’t stand out in any way,” Murakami’s narrator says of the titular figure. “Her clothes are nothing special. The back of her hair is still bent out of shape from sleep. She isn’t young, either — must be near thirty, not even close to a ‘girl,’ properly speaking. But still, I know from fifty yards away: She’s the 100% perfect girl for me.” Yamakawa dramatizes a similar fleeting encounter and the romantic speculations that resonate in the man’s mind. Like the half-baked philosophical and political convictions of the would-be robbers, these inspire the director to the kind of visual and formal inventiveness one would expect given his background in Godard and Scorsese scholarship. But the only filmmaker name-checked is Woody Allen, which fans will recognize as a characteristic Murakami reference. So as are the inclusions of Wagner, D.H. Lawrence, jazz music — and of course, an unexpected cat.

Related Content:

Read 12 Stories By Haruki Murakami Free Online

Discover Haruki Murakami’s Advertorial Short Stories: Rare Short-Short Fiction from the 1980s

Haruki Murakami’s Passion for Jazz: Discover the Novelist’s Jazz Playlist, Jazz Essay & Jazz Bar

A 3,350-Song Playlist of Music from Haruki Murakami’s Personal Record Collection

Memoranda: Haruki Murakami’s World Recreated as a Classic Adventure Video Game

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Two Haruki Murakami Stories Adapted into Short Films: Watch Attack on a Bakery (1982) and A Girl, She Is 100% (1983) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3BkU0YI
via Ilumina

Comments

Popular posts from this blog

What Voltaire Meant When He Said That “We Must Cultivate Our Garden”: An Animated Introduction

“Voltaire’s goal in writing [his 1759 satire Candide ] was to destroy the optimism of his times,” says Alain de Botton in the School of Life video above, “an optimism that centered around science, love, technical progress, and a faith in reason.” These beliefs were folly, Voltaire thought: the transfer of faith from a providential God to a perfect, clockwork universe. Candide satirizes this happy rationalism in Doctor Pangloss, whose belief that ours is the best of possible worlds comes directly from the philosophical optimism of Gottfried Leibniz . The preponderance of the evidence, Voltaire made abundantly clear in the novel’s series of increasingly horrific episodes, points toward a blind, indifferent universe full of needless cruelty and chaos. “Hope was, he felt, a disease,” de Botton says, and “it was Voltaire’s generous goal to try and cure us of it.” But as everyone who has read Candide (or read a summary or brief notes on Candide ) knows, the novel does not end with ...

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...