Skip to main content

Hear 45 Minutes of Funky Old Soundtracks from 1960s-70s Japanese Films & TV Shows

The life of a Japanese film composer in the 1960s and 70s was very different from their American counterparts. “For Hollywood movies, there is a three-month period to write the music after the film has been finished,” says legendary film and television composer Chumei Watanabe. When Watanabe first began working for Shintoho studios, “at first, they gave us five days. Of course, it would usually be shortened…. One time, there was a Toei movie being filmed in Kyoto. The next day was the recording day for the music…. I had less than 24 hours to write the music!”

Despite the immense pressures on composers for films and TV shows, even those primarily for children, “I kept in mind that I would not compose childish music,” says Watanabe, who worked well into his 90s composing for TV. “That’s why people in their 40s and 50s still listen to my songs and sing them at karaoke.” His music is as widely beloved as that of his prolific contemporary, Dragon Ball Z composer Shunsuke Kikuchi, who passed away this year at 89.

“Over the course of his career,” writes Okay Player, “Kikuchi wrote the music for a number of popular anime series and live-action television shows, including Abarenbo Shogun (800 episodes over 30 years,) Doraemon (26 years on the air,) and Kamen Rider, Key Hunter, and G-Men ’75.” So iconic was Kikuchi’s music that his “Urami Bushi” — the theme for 1972 Japanese exploitation film Female Prisoner 701: Scorpion — was given pride of place in Quentin Tarantino’s Kill Bill Vol. 2.

If you aren’t familiar with the music of late-20th century Japanese genre film and television, you’ll be forgiven for thinking the mix at the top of the post comes from Tarantino’s films. Described by its YouTube poster Tripmastermonk as “45 minutes of various funky old japanese soundtrack, samples, breaks, and beats. (all killer, no filler),” it includes classic compositions from Watanabe, Kikuchi, and many other composers from the period who worked as hard on anime series as they did on so-called “pink films” like the “Female Prisoner” series, a vehicle for Japanese star Meiko Kaji (of Lady Snowblood fame), who sang “Urami Bushi” and turned the song into a major hit.

Dig the funky music of Japanese action films from the 60s and 70s in the mix, full name: “Tripmastermonk — Knocksteady Zencast Vol. 2: Ninja Funk & Gangster Ballads: Ode to the Brotherland.” And find more of Tripmastermonk’s musical concoctions on Soundcloud.

Related Content: 

Discover the Ambient Music of Hiroshi Yoshimura, the Pioneering Japanese Composer

Hear Enchanting Mixes of Japanese Pop, Jazz, Funk, Disco, Soul, and R&B from the 70s and 80s

Sonic Explorations of Japanese Jazz: Stream 8 Mixes of Japan’s Jazz Tradition Free Online

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.

Hear 45 Minutes of Funky Old Soundtracks from 1960s-70s Japanese Films & TV Shows is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3CWb6xR
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...