Skip to main content

An Interactive Map of 530 Female Composers from Across the Globe

Self-proclaimed traditionalists love to talk about how allowing women in the workforce precipitated social decline. This is a delusion. “Women have always worked,” as American labor historian Alice Kessler-Harris argued in her book of the same name. “In preindustrial societies,” she writes, “nearly everybody worked” in cooperative endeavors, “and almost nobody worked for wages.” And in industrial societies, women have always worked, and they were often the primary earners in their families. But since their stories do not fit a traditional narrative, they’ve been ignored. 

Moving goalposts and narrow definitions of what counts as “work” have marginalized women’s contributions in hundreds of fields, including music. But women have always written music, whether or not they’ve been compensated or recognized as professional composers.

In some cases, their careers were cut short before they could begin. Such was the fate of Mozart’s sister, Maria Anna, who was also a child prodigy, traveling Europe with her brother and dazzling the aristocracy in the 1700s. Her accomplishments “were quickly forgotten,” writes Ashifa Kassam at The Guardian, “after she was forced to halt her career when she came of age.”

Maria Anna Mozart is one of hundreds of women composers you’ll find in the interactive map created by Sakira Ventura, a music teacher from Valencia, Spain, who has collected 530 composers, placed them geographically on the map, and included links to Wikipedia pages, websites, and Spotify. The map is in Spanish, as are all of the short biographies in each composer’s window, but Ventura links to their English-language Wikipedia pages, making this an excellent resource for English speakers as well, and a much-needed one, Ventura found out when she began her research.

When Mozart’s sister was writing music, “It was taken for granted that a work composed by a woman wouldn’t be of the same quality as that composed by a man,” Ventura says. Not much has changed. When critics have asked why she doesn’t include men on her map, “I have to explain to them that if they want to find out about male composers, they can open any book on music history, go to any concert or tune into any radio station. But if I’m putting together a map of female composers, it is because these women don’t appear anywhere else.” Visit the interactive map, Creadoras de la Historia Música, here.

via The Guardian

Related Content:

Maria Anna Mozart Was a Musical Prodigy Like Her Brother Wolfgang, So Why Did She Get Erased from History?

1200 Years of Women Composers: A Free 78-Hour Music Playlist That Takes You From Medieval Times to Now

Celebrating Women Composers: A New BBC Digital Archive Takes You from Hildegard of Bingen (1098) to Nadia Boulanger (1979)

Meet Four Women Who Pioneered Electronic Music: Daphne Oram, Laurie Spiegel, Éliane Radigue & Pauline Oliveros

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

An Interactive Map of 530 Female Composers from Across the Globe is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/385bFqH
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca