Skip to main content

Rare Vincent van Gogh Painting Goes on Public Display for the First Time: Explore the 1887 Painting Online

Images courtesy of Sothebys

Not every Vincent van Gogh painting hangs at the Van Gogh Museum, or indeed in a museum at all. Though many private collectors loan their Van Goghs to art institutions that make them available for public viewing, some have never let such prized possessions out of their sight. Such, until recently, was the case with Scène de rue à Montmartre (Impasse des Deux Frères et le Moulin à Poivre), painted in 1887 but not shown to the world until this year — in preparation for its auction on March 25. During its century of possession by a single French family, the painting counted as one of the few privately-held entries in Van Gogh’s Montmartre series, which he painted in the eponymous neighborhood during the two years spent in Paris with his brother Theo.

“Unlike other artists of his era, like Toulouse-Lautrec, Van Gogh was attracted to the pastoral side of Montmartre and would transcribe this ambience rather than its balls and cabarets.” So says Aurélie Vandevoorde, head of the Impressionist and Modern Art department at Sotheby’s Paris to The Art Newspaper‘s Anna Sanson.

The landscape “marks van Gogh’s turn to his distinctive Impressionist style,” writes Colossal’s Grace Ebert, and its “lively street is thought to be the same as that in Impasse des Deux Frères, which currently hangs at the Van Gogh Museum in Amsterdam, and similarly depicts a mill and flags promoting the cabaret and bar through the gates.”

As depicted by Van Gogh more than 130 years ago, Montmartre looks nearly rural — quite unlike it does now, as anyone who’s frequented the neighborhood in living memory can attest. But the status of the painting has changed even more than the status of the place: Scène de rue à Montmartre “is expected to sell for between $6 million and $9.7 million (€5 million to €8 million),” writes Smithsonian.com’s Isis Davis-Marks. Still, like most of Van Gogh’s Paris paintings, its value doesn’t touch that of the work he did in his subsequent Provençal sojourn (under the influence of Japanese ukiyo-e). “One such painting, Laboureur dans un champ (1889),” adds Davis-Marks, “sold at Christie’s in 2017 for $81.3 million.” Well-heeled readers should thus keep an eye on Sotheby’s site: this could be your chance to keep a (relatively) affordable Van Gogh in your own family for the next century.

via Colossal

Related Content:

Nearly 1,000 Paintings & Drawings by Vincent van Gogh Now Digitized and Put Online: View/Download the Collection

Download Vincent van Gogh’s Collection of 500 Japanese Prints, Which Inspired Him to Create “the Art of the Future”

Van Gogh’s Ugliest Masterpiece: A Break Down of His Late, Great Painting, The Night Café (1888)

13 Van Gogh’s Paintings Painstakingly Brought to Life with 3D Animation & Visual Mapping

Experience the Van Gogh Museum in 4K Resolution: A Video Tour in Seven Parts

In a Brilliant Light: Van Gogh in Arles – A Free Documentary

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Rare Vincent van Gogh Painting Goes on Public Display for the First Time: Explore the 1887 Painting Online is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/38xb9SW
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...