Skip to main content

Metallica Plays Antarctica, Setting a World Record as the First Band to Play All 7 Continents: Watch the Full Concert Online

Unless they’ve got fans among penguins, there’s no practical reason for a band to make the journey to Antarctica to play. So why did Metallica do exactly that in 2013? Because they could, and because it made them the first musical act to play all seven continents — a Guinness World Record — doing it all in the same calendar year, no less. They’re also the only rock band to travel to Antarctica. (With the exception of Nunatak, an indie rock band made up of British climate scientists, who played a “sold-out” show to 17 people at the Rothera Research Station where they worked in 2007.)

If those aren’t reasons enough, the concert was a dream realized for the 120 fans in attendance, including research station scientists and Coca Cola contest winners from all over Latin America who were able to see Metallica in a transparent dome near the heliport of Argentina’s Carlini Base after a week-long cruise. “Due to the continent’s fragile environment,” notes Guinness, the band’s amps were placed in “isolation cabinets” and the audience heard everything through headphones, sort of like a silent rave. Called “Freeze ‘Em All,” the show was live-streamed and is now fully available online (see it above).

“The energy in the little dome was amazing!” the band writes on their Facebook page. “Words can not describe how happy everyone was.” But how cold were they? More sponsorship, in the form of outerwear from snowboard and ski giant Burton, kept the band bundled up throughout. Metallica has uploaded the audio of “Freeze ‘Em All” in MP3 and various high-end lossless formats at LiveMetallica.com. It’s a very cool idea, but is the concert video an hour-long Coke Zero ad? I don’t know…. I am a little curious about what might have happened if their amps had been at full blast in the Antarctic wild….

Here’s the full setlist, with timestamps, of the record-setting gig:

Creeping Death (1:25?)
For Whom the Bell Tolls (7:47?)
Sad But True (12:28?)
Welcome Home (Sanitarium) (18:58?)
Master of Puppets (25:58?)
One (34:12?)
Blackened (41:58?)
Nothing Else Matters (50:01?)
Enter Sandman (55:06?)
Seek & Destroy (1:02:20?)

You too, like many a commenting fan, may feel betrayed by the lack of “Trapped Under Ice” in the setlist. Maybe too on-the-nose, they thought, too cute. But surely a missed opportunity that won’t come again. Fill in the gap yourself with the live take below.

Related Content: 

Metallica Is Putting Free Concerts Online: 6 Now Streaming, with More to Come

Metallica’s Bassist Robert Trujillo Plays Metallica Songs Flamenco-Style, Joined by Rodrigo y Gabriela

Buddhist Monk Covers Metallica’s ”Enter Sandman,” Then Meditates

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Metallica Plays Antarctica, Setting a World Record as the First Band to Play All 7 Continents: Watch the Full Concert Online is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3sZmkM3
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their...