Skip to main content

What Would the World of Charlie Chaplin Look Like in Color?: Watch a Colorfully Restored Version of A Night at the Show (1915)

When we imagine Charlie Chaplin, we imagine a man somehow existing in black-and-white. The obvious reason is that he became not just a movie star but a cultural icon in the 1910s and 20s, the era before sound came to the movies, let alone color. But to attain such success required skills tailored to the state of the medium at the time: that of making people laugh without saying a word, of course, but also of crafting an image instantly recognizable in monochrome. Thus we don't always feel we're seeing the "real" Charlie Chaplin in technically more realistic color photographs, or even colorized ones. But what would it feel like to watch one of his classic comedies in color?

You can find out by watching the colorized version of A Night in the Show above. Originally released in 1915, the 25-minute short was directed by and stars Chaplin, who plays the dual role of characters called Mr. Pest and Mr. Rowdy. Both attend the same music-hall performance, and though Mr. Pest is of the upper crust and Mr. Rowdy is a working man, both get equally inebriated, their disparate social classes producing different styles of mischief-making.

The English-born Chaplin had previously developed these characters on stage, having played the music-hall circuit himself since adolescence. Safe to say that, by the time Hollywood came calling, he'd seen far worse than Pest and Rowdy himself.

The quality of this colorization will perhaps not win the controversial process any new converts, but it does give us a sense of what an evening at an English music hall of the late 19th and early 20th century would actually have looked like, a valuable re-creation now that none of us have memories of this once-common experience. We can more easily imagine the kind of spectacles such establishments would have offered, including but not limited to snake-charming and bursts of fire, as well as its ramshackle exaggerations that Chaplin so energetically satirizes. We could also consider this his valediction to that environment: the previous year's-introduced the Tramp, who would go on to become his most beloved character of all, ensured that he would soon be able to put the music hall behind him forever.

Related Content:

60+ Free Charlie Chaplin Films Online

Colorized Photos Bring Walt Whitman, Charlie Chaplin, Helen Keller & Mark Twain Back to Life

Charlie Chaplin Films a Scene Inside a Lion’s Cage in 200 Takes

Charlie Chaplin Does Cocaine and Saves the Day in Modern Times (1936)

The Charlie Chaplin Archive Opens, Putting Online 30,000 Photos & Documents from the Life of the Iconic Film Star

When Ted Turner Tried to Colorize Citizen Kane: See the Only Surviving Scene from the Great Act of Cinematic Sacrilege

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

What Would the World of Charlie Chaplin Look Like in Color?: Watch a Colorfully Restored Version of A Night at the Show (1915) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2S9aqPv
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...