Skip to main content

A Medieval Metropolis Existed In What’s Now St. Louis, Then Mysteriously Disappeared in the 14th Century

In our current epoch of human history, when populations of major cities swell into the tens of millions, an urban center of 30,000 people doesn’t seem very impressive. 1,000 years ago, a city that size was larger than London or Paris, and sat atop what is now East St. Louis. At its height in 1050, Annalee Newitz writes at Ars Technica, “it was the largest pre-Colombian city in what became the United States…. Its colorful wooden homes and monuments rose along the eastern side of the Mississippi, eventually spreading across the river to St. Louis.”

It is called Cahokia, but that name comes from later inhabitants who themselves didn’t know who built the ancient metropolis, Roger Kaza explains, “We really have no idea what the builders called their city.” Also, no one, including the people who settled there not long afterward, knows what happened to the city's inhabitants. Archaeologists call these lost indigenous societies the Mississippians.

They occupied a territory along the river of nearly 1,600 hectares during what is called the Mississippian period, roughly between 800 and 1400 A.D. The society built mounds, “some 120,” notes UNESCO, who have designated Cahokia a world heritage site. (See an introductory video below from the Cahokia Mounds Museum Society and two artist recreations elsewhere on this page.) The largest of these mounds, Monk’s Mound, stands 30 meters high.

Cahokia is "a striking example of a complex chiefdom society, with many satellite mound centres and numerous outlying hamlet and villages.” Size estimates vary. UNESCO's is more conservative "This agricultural society may have had a population of 10-20,000 at its peak between 1050 and 1150," they write—still, at any rate, a major city at the time. The Mississippian civilization left behind “pottery, ceremonial art, games and weapons,” Kaza notes. “Their trade network was vast, stretching from the Great Lakes to the Gulf of Mexico.”

The mounds were a symbol of both earthly and religious power, and the city appears to have been a pilgrimage site of some kind, with remains of what may have been a 5,000 square foot temple at the top of Monk’s Mound and evidence of human sacrifice on other mounds. “A circle of posts west of Monk’s Mound has been dubbed ‘Woodhenge,’ because the posts clearly mark solstices and equinoxes,” writes Kaza.

But the true strength of Cahokia, as in all great metropolises, was economic power. As archaeologist Timothy Pauketat of the University of Illinois notes, “it just so happens that some of the richest agricultural soils in the midcontinent are right up against that area of Cahokia.” Corn grew plentifully, produced surpluses, and the society grew rich. Then, seemingly inexplicably, it collapsed. “By the time European colonizers set foot on American soil in the 15th century, these cities were already empty,”

One recent study suggests two natural climate change events several hundred years apart explain both Cahokia’s rise and fall: “an unusually warm period called the Medieval Climatic Anomaly” gave rise to the region’s abundance, and an abrupt cooling period called “the Little Ice Age” brought on its end. Climatologists have found evidence showing how a drought in 1350 caused the pre-Columbian Mississippian corn industry to implode.

Pauketat finds this explanation persuasive, but insufficient. Politics and culture played a role. It’s possible, says archeologist Jeremy Wilson, who coauthored the recent climate paper, that “the climate change we have documented may have exacerbated what was an already deteriorating sociopolitical situation.”

Evidence suggests mounting conflict and violence as food grew scarcer. Climatologist Broxton Bird argues that the Mississippians left their cities and “migrated to places farther south and east like present-day Georgia,” Angus Chen writes at NPR, “where conditions were less extreme. Before the end of the 14th century, the archaeological record suggests Cahokia and other city-states were completely abandoned.”

We should be careful of seeing in this contemporary language any close parallels to the situation major cities face in the 21st century. Just one link in the global supply chain that drives climate change today can employ 10,000-20,000 people. But perhaps it’s possible to see, in the distant indigenous past of North America, the not-so-future vision of a migratory future for the inhabitants of many cities around the world.

via Art Technica and Messy Nessy

Related Content:

Native Lands: An Interactive Map Reveals the Indigenous Lands on Which Modern Nations Were Built

Interactive Map Shows the Seizure of Over 1.5 Billion Acres of Native American Land Between 1776 and 1887

Two Animated Maps Show the Expansion of the U.S. from the Different Perspectives of Settlers & Native Peoples

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

A Medieval Metropolis Existed In What’s Now St. Louis, Then Mysteriously Disappeared in the 14th Century is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3byHPf4
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca