Skip to main content

Central Park Bird Watcher Christian Cooper Writes DC Comics Graphic Novel: It’s Now Free Online

Write what you know.

It’s oft-cited advice for writers both beginning and established.

Thus, Jules, the teenage boy at the center of Christian Cooper’s It’s a Bird, the first entry in DC Comics’ digital-first anthology series Represent!, is a birdwatcher, like the author.

And the binoculars that were a 50th birthday gift from Cooper’s father, a Korean War vet and Civil Rights activist, serve as models for the ones Jules is none too thrilled to receive, despite his grandpa’s belief that they possess special powers.

Cooper, who was was Marvel's first openly gay writer and editor, introducing a number of queer characters before devoting himself to science writing, also draws on recent personal history that is more fraught.

Although the location has shifted from New York City’s Central Park to a suburban green space bordered with large, well-kept homes, including Jules’, the young man’s encounter with an indignant white woman and her off-leash dog should ring any number of bells.

In late May, Cooper became the subject of national news, when he confronted Amy Cooper (no relation) over her violation of park rules, tired of the havoc uncontrolled dogs wreak on birds who call the park home. Ms. Cooper escalated things quickly by calling 911, claiming she was being threatened by an African-American man. Cooper recorded the incident as a matter of protocol, and his sister shared the video on social media later that day.

The same day that George Floyd was killed by police in Minneapolis, Minnesota.

What Jules sees through the lenses of his grandfather's binoculars contains an element of fantasy, but is also deeply rooted in reality—the faces of Amidou Diallo, Breonna Taylor, Floyd, and other Black people who have died as a result of excessive, unwarranted police force.

When DC first approached him about tapping his experience for his first comic in over two decades, Cooper was reluctant:

I thought, “I don’t know, DC Comics? Superheroes? Not sure how that’s going to work.” We kicked around a couple of ideas. They said they had gotten the title, I’m not sure exactly from who, but somebody pretty high up in the DC food chain: “It’s a Bird.” It took me half a beat. “Oh…I get what you did there.” Once I had the title, the story wrote itself.

It’s a Bird artist Aletha E. Martinez, a pioneer whose 20-year career has included inking such superhero heavy hitters as the Black Panther, Iron Man, Batgirl, and X-Men, also pulled from personal experience when rendering Jules’ expression after the binoculars reveal the circumstances of George Floyd’s death:

I saw that look on my son’s face three years ago after we left North Carolina, and we were coming home to New York. We were stopped going into the airport. We travel so often—cons, in and out of the country. These two security guards started to harass us. They wanted to take my purse. “Where are you from?” You hear my voice, there’s no accent in my voice. It ended up with them saying, “You should travel with your passport.” This is after backing us up in the corner, and why? I’m an American citizen born on this soil, so is my son. I don’t need a passport to travel within my country. This is our day and age.

I watched my son’s face change, and he never quite walked up again looking happy going to the airport. Now he has on armor. That face you see? That’s my kid.

It’s a Bird can be read for free on participating digital platforms (see links below), and Cooper is hopeful that it will inspire young people to find out more about some of the real life characters Jules spies through his binoculars. To that end, an appendix touches on some biographical details:

We not only give the bare bones details of how they died, but also a little bit about them, because they were people. They weren’t just want happened to them. I hope young people (are) inspired to keep the focus where it needs to be, which is on those we have lost and how we keep from losing more. There are people who are invested in distracting us right now, and there are people who want to distract us from their failures on so many other things. That’s not what this moment is about. This moment is about the ones we’ve lost, and how we’re going to keep from losing any more. And if you’re not talking about that, I don’t want to hear it.

Read Represent!: It’s a Bird for free on readdc.com, Comixology, Amazon Kindle, Apple Books, and other participating digital platforms.

Read an interview with Cooper and Martinez, from which the quotes in this post are drawn, on DC’s blog.

Related Content:

A New Digital Archive Preserves Black Lives Matter & COVID-19 Street Art

Read Martin Luther King and The Montgomery Story: The Influential 1957 Civil Rights Comic Book

Batman Stars in an Unusual Cartoon Adaptation of Dostoyevsky’s Crime and Punishment

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Follow her @AyunHalliday.

Central Park Bird Watcher Christian Cooper Writes DC Comics Graphic Novel: It’s Now Free Online is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3k5Rpt6
via Ilumina

Comments

Post a Comment

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...
Post a Comment
Read more

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...
Post a Comment
Read more

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...
Post a Comment
Read more