Skip to main content

Talking Heads Songs Become Midcentury Pulp Novels, Magazines & Advertisements: “Burning Down the House,” “Once in a Lifetime,” and More

Do you like Talking Heads? Writer and visual artist Douglas Coupland once proposed that question as the truest test of whether you belong to the cohort named by his novel Generation X. Coupland's contemporary colleague in letters Jonathan Lethem summed up his own early Talking Heads mania thus: "At the peak, in 1980 or 1981, my identification was so complete that I might have wished to wear the album Fear of Music in place of my head so as to be more clearly seen by those around me." What makes the band that recorded "Psycho Killer," "This Must Be the Place," "Once In a Lifetime," and "Burning Down the House" so appealing to the bookish, and especially the both bookish and visual, born after the Baby Boom or otherwise?

Whatever the essence at work, screenwriter and "graphic-arts prankster" Todd Alcott taps into it with his latest round of popular songs-turned-midcentury book covers, posters, magazine covers, and other pieces of non-musical graphic design. You may remember Alcott's previous adaptations of the Beatles, Bob Dylan, Joni Mitchell, David Bowie, and Radiohead appearing here on Open Culture.

The culturally literate and obliquely referential catalogue of Talking Heads, however, may have provided his most suitable material yet: "Burning Down the House" becomes a "a 1950s pulp novel," "Life During Wartime" a "1950s men's adventure magazine," "This Must Be the Place" an "advertisement for a 1950s suburban housing development," and "Take Me to the River" the "cover of a 1950s-era issue of Field & Stream, with the four members of the band enjoying a day on the lake."

Amusing even at first glance, these cultural mash-ups also repay knowledge of the band's work and history. "Psycho Killer," with its French lyrics, becomes an issue of Cahiers du Cinéma featuring David Byrne on a cover dated March 1974, "the earliest date the song 'Psycho Killer' is known to have been performed by David Byrne's band The Artistics." "Once in a Lifetime," quite possibly the band's most impressive piece of songcraft, becomes an equally layered Alcott image: a "a magazine advertisement for the 1962 classic The Man in the Gray Flannel Suit, based on the best-seller by Sloan Wilson" — in other words, an ad designed for a magazine meant to sell a movie based on a book, and a book as tied up with the themes of alienation in postwar America as "Once in a Lifetime" itself.

Talking Heads fans will recognize in Alcott's graphics the very same kind of genius for resounding literal-mindedness coupled with subtle, sometimes obscure wit that characterizes the work of Byrne and his collaborators. You can buy prints of these images at his Etsy shop, which also offers many other works of interest to those for whom music, books, magazines, media, and history constitute not separate subjects but one vast, densely interconnected cultural field. To those who see the world that way, Alcott's designing the cover for an album by Byrne or another of the ex-Heads — or indeed a Jonathan Lethem novel — is only a matter of time. Enter Todd Alcott's store here.

Related Content:

Beatles Songs Re-Imagined as Vintage Book Covers and Magazine Pages: “Drive My Car,” “Lucy in the Sky with Diamonds” & More

David Bowie Songs Reimagined as Pulp Fiction Book Covers: Space Oddity, Heroes, Life on Mars & More

Classic Radiohead Songs Re-Imagined as a Sci-Fi Book, Pulp Fiction Magazine & Other Nostalgic Artifacts

Classic Songs by Bob Dylan Re-Imagined as Pulp Fiction Book Covers: “Like a Rolling Stone,” “A Hard Rain’s A-Gonna Fall” & More

Songs by Joni Mitchell Re-Imagined as Pulp Fiction Book Covers & Vintage Movie Posters

How Talking Heads and Brian Eno Wrote “Once in a Lifetime”: Cutting Edge, Strange & Utterly Brilliant

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Talking Heads Songs Become Midcentury Pulp Novels, Magazines & Advertisements: “Burning Down the House,” “Once in a Lifetime,” and More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2oqtFIR
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca