Skip to main content

How Monument Valley Became the Most Iconic Landscape of the American West

The American West has never been a place so much as a constellation of events—incursion, settlement, seizure, war, containment, and extermination in one order or another. These bloody histories, sanitized and seen through anti-indigenous ideology, formed the backdrop for the American Western—a genre that depends for its existence on creating a convincing sense of place.

But where most Westerns are supposed to be set—Colorado, California, Texas, Kansas, or Montana—seems less important than that their scenery conform to a stereotype of what The West should look like. That image has, in film after film, been supplied by the towering buttes of Monument Valley. The Vox video above tells the story of how this particular place became the symbol of the American West, beginning with the ironic fact that Monument Valley isn’t actually part of the U.S., but a tribal park on the Navajo Nation reservation, inside the states of Utah and Arizona.

“For centuries, only Native Americans, specifically the Paiute and Navajo, occupied this remote landscape, fielding conflicts with the U.S. government.” That would change when settlers and sheep traders Harry and Leone “Mike” Goulding set up a trading post right outside Navajo territory on the Utah side. Goulding tried tirelessly to attract tourists to Monument Valley during the Great Depression but didn’t get any traction until he took photos of the landscape to Hollywood.

The movie world immediately saw potential, and Western directing legend John Ford chose the stunning location for his 1939 film Stagecoach. It would be the first of scores of films shot in Monument Valley and the origin of cinematic iconography now inseparable from our idea of the rugged American West. The landscape, and Ford’s vision, elevated the Western from low-budget pulp to “one of Hollywood’s most popular genres for the next 20 years.”

Photo by Dsdugan, via Wikimedia Commons

Stagecoach provided the “breakout role for American icon John Wayne” (who once declared that Native people “selfishly tried to keep their land” for themselves and thus deserved to be dispossessed.) And just as Wayne became the face of the Western hero, Monument Valley became the central icon of its mythos. Ford used Monument Valley seven more times in his films, most notably in The Searchers, set in Texas, widely praised as one of the best Westerns ever made.

Ford’s final film to feature the landscape takes place all over the country, appropriately, given its title, How the West Was Won. Its all-star cast, including Wayne, sold this major 1962 epic, marketed with the tagline “24 great stars in the mightiest adventure ever filmed.” But it wouldn’t have been a true Western at that point, or not a true John Ford Western, without Monument Valley as one of its many landscapes. The imagery may have become cliché, but “clichés are useful for storytelling,” signaling to audiences “what kind of story this is.”

From Stagecoach to Marlboro Ads to Thelma and Louise to The Lego Movie to the Cohen Brothers’ comic classic Western tribute The Ballad of Buster Scruggs, the image of Monument Valley has become shorthand for freedom, adventure, and the risks of the frontier. But like other iconic places in other forbidding landscapes around the world, the myth of Monument Valley covers over the historical and present-day struggles of real people. We get a little bit of that story in the Vox explainer, but mostly we learn how Monument Valley became an endlessly repeating “backdrop” that “could be anywhere in the West.”

Related Content:

How Sergio Leone Made Music an Actor in His Spaghetti Westerns, Creating a Perfect Harmony of Sound & Image

The Great Train Robbery: Where Westerns Began

John Wayne: 26 Free Western Films Online

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

How Monument Valley Became the Most Iconic Landscape of the American West is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/32XduSu
via Ilumina

Comments

Popular posts from this blog

What Voltaire Meant When He Said That “We Must Cultivate Our Garden”: An Animated Introduction

“Voltaire’s goal in writing [his 1759 satire Candide ] was to destroy the optimism of his times,” says Alain de Botton in the School of Life video above, “an optimism that centered around science, love, technical progress, and a faith in reason.” These beliefs were folly, Voltaire thought: the transfer of faith from a providential God to a perfect, clockwork universe. Candide satirizes this happy rationalism in Doctor Pangloss, whose belief that ours is the best of possible worlds comes directly from the philosophical optimism of Gottfried Leibniz . The preponderance of the evidence, Voltaire made abundantly clear in the novel’s series of increasingly horrific episodes, points toward a blind, indifferent universe full of needless cruelty and chaos. “Hope was, he felt, a disease,” de Botton says, and “it was Voltaire’s generous goal to try and cure us of it.” But as everyone who has read Candide (or read a summary or brief notes on Candide ) knows, the novel does not end with ...

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

An Interactive Map of Odysseus’ 10-Year Journey in Homer’s Odyssey

The Odyssey , one of Homer's two great epics, narrates Odysseus' long, strange trip home after the Trojan war . During their ten-year journey, Odysseus and his men had to overcome divine and natural forces, from battering storms and winds to difficult encounters with the Cyclops Polyphemus, the cannibalistic Laestrygones, the witch-goddess Circe and the rest. And they took a most circuitous route, bouncing all over the Mediterranean, moving first down to Crete and Tunisia. Next over to Sicily, then off toward Spain, and back to Greece again. If you're looking for an easy way to visualize all of the twists and turns in  The Odyssey , then we'd recommend spending some time with the  interactive map created by Gisèle Mounzer .  "Odysseus' Journey"  breaks down Odysseus' voyage into 14 key scenes and locates them on a modern map designed by Esri, a company that creates GIS mapping software. Meanwhile, if you're interested in the whole concept of ...