Skip to main content

The True Meaning of Queen’s Rock Epic “Bohemian Rhapsody”

We’ve all given at least a little thought to “Bohemian Rhapsody.” I myself happen to have given it more than a little, since I and all my classmates had to learn the song and sing it together back in seventh-grade music class. But I haven’t given it as much thought as music Youtuber Polyphonic, whose exegesis “The True Meaning of Bohemian Rhapsody” appears above. “The apex of the 1970s rock experiment,” Queen’s six-minute rock epic “somehow manages to take the transformative structure of progressive rock and shove it into a form that could be a radio rock staple and sell out arenas worldwide.” It also delivers “an operatic breakdown, a legendary guitar solo, and iconic lyrics that perfectly walk the line between grounded and cryptic.”

Like all the best lyrics — and especially all the best lyrics of elaborately produced 1970s rock — the words to “Bohemian Rhapsody” invite all manner of readings. Polyphonic opts to take the concept of reading more literally, visually rendering his interpretation of the song through a set of tarot cards.

Within this traditional framework, he makes the thoroughly modern choice of grounding these often fantastical- or even bizarre-sounding lyrics in the sexual identity of Queen’s lead singer. Born in Zanzibar to a conservative Indian family, the boy who would become Freddie Mercury would have had more than one reason to feel out of place in the world. Do we have here an artistic sublimation of his personal isolation, alienation, and self-reinvention?

When it was released in 1975, “Bohemian Rhapsody” met with a critical reception here and there impressed, but on the whole indifferent or perplexed. Perhaps the song was simply too much, not just musically but culturally: it draws in a seemingly haphazard manner from the realms of cowboys, of opera, of Christianity, and of much else besides. But to Polyphonic, all these elements reflect the central theme of Mercury’s survival in and ultimate defiance of a hostile world. “In the end,” his character realizes, “people’s minds are not going to change, and his own identity isn’t going to change, so there’s no use hanging on in fear. Armed with this knowledge, Freddie Mercury completes his magnificent transformation and ascends to rock godhood.” Such an interpretation was far from my own mind in middle school, admittedly, but there were no doubt other students who could feel the powerful inspiration this sonic spectacle continues to offer.

Related Content:

The Making of “Bohemian Rhapsody”: Take a Deep Dive Into the Iconic Song with Queen’s 2002 Mini Documentary

The Joy of Experiencing Queen’s “Bohemian Rhapsody” for the Very First Time: Watch Three Reaction Videos

Hear How Queen’s “Bohemian Rhapsody” Would Sound If Sung by Johnny Cash, David Bowie, Janis Joplin, Frank Sinatra & 38 Other Artists

65,000 Fans Break Into a Singalong of Queen’s “Bohemian Rhapsody” at a Green Day Concert in London’s Hyde Park

1910 Fairground Organ Plays Queen’s “Bohemian Rhapsody,” and It Works Like a Charm

Watch Queen’s “Bohemian Rhapsody” Acted Out Literally as a Short Crime Film

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

The True Meaning of Queen’s Rock Epic “Bohemian Rhapsody” is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/30uIptg
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...