Skip to main content

The True Meaning of Queen’s Rock Epic “Bohemian Rhapsody”

We’ve all given at least a little thought to “Bohemian Rhapsody.” I myself happen to have given it more than a little, since I and all my classmates had to learn the song and sing it together back in seventh-grade music class. But I haven’t given it as much thought as music Youtuber Polyphonic, whose exegesis “The True Meaning of Bohemian Rhapsody” appears above. “The apex of the 1970s rock experiment,” Queen’s six-minute rock epic “somehow manages to take the transformative structure of progressive rock and shove it into a form that could be a radio rock staple and sell out arenas worldwide.” It also delivers “an operatic breakdown, a legendary guitar solo, and iconic lyrics that perfectly walk the line between grounded and cryptic.”

Like all the best lyrics — and especially all the best lyrics of elaborately produced 1970s rock — the words to “Bohemian Rhapsody” invite all manner of readings. Polyphonic opts to take the concept of reading more literally, visually rendering his interpretation of the song through a set of tarot cards.

Within this traditional framework, he makes the thoroughly modern choice of grounding these often fantastical- or even bizarre-sounding lyrics in the sexual identity of Queen’s lead singer. Born in Zanzibar to a conservative Indian family, the boy who would become Freddie Mercury would have had more than one reason to feel out of place in the world. Do we have here an artistic sublimation of his personal isolation, alienation, and self-reinvention?

When it was released in 1975, “Bohemian Rhapsody” met with a critical reception here and there impressed, but on the whole indifferent or perplexed. Perhaps the song was simply too much, not just musically but culturally: it draws in a seemingly haphazard manner from the realms of cowboys, of opera, of Christianity, and of much else besides. But to Polyphonic, all these elements reflect the central theme of Mercury’s survival in and ultimate defiance of a hostile world. “In the end,” his character realizes, “people’s minds are not going to change, and his own identity isn’t going to change, so there’s no use hanging on in fear. Armed with this knowledge, Freddie Mercury completes his magnificent transformation and ascends to rock godhood.” Such an interpretation was far from my own mind in middle school, admittedly, but there were no doubt other students who could feel the powerful inspiration this sonic spectacle continues to offer.

Related Content:

The Making of “Bohemian Rhapsody”: Take a Deep Dive Into the Iconic Song with Queen’s 2002 Mini Documentary

The Joy of Experiencing Queen’s “Bohemian Rhapsody” for the Very First Time: Watch Three Reaction Videos

Hear How Queen’s “Bohemian Rhapsody” Would Sound If Sung by Johnny Cash, David Bowie, Janis Joplin, Frank Sinatra & 38 Other Artists

65,000 Fans Break Into a Singalong of Queen’s “Bohemian Rhapsody” at a Green Day Concert in London’s Hyde Park

1910 Fairground Organ Plays Queen’s “Bohemian Rhapsody,” and It Works Like a Charm

Watch Queen’s “Bohemian Rhapsody” Acted Out Literally as a Short Crime Film

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

The True Meaning of Queen’s Rock Epic “Bohemian Rhapsody” is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/30uIptg
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their...