Skip to main content

Hear Brian Eno Sing The Beatles’ “Tomorrow Never Knows” as Part of The Best Live Album of the Glam/Prog Era (1976)

After leaving Roxy Music and its tour-record-tour-record cycle, Brian Eno became a studio recording artist, creating multilayered masterworks of progressive pop, proto-punk, and ambient environments, often on the same album. As a fan, however, you had zero chance of seeing Eno play any of this live. That is, except for one brief moment in 1976 that just happens to be one of the best live albums of the glam/prog era: 801 Live. It’s pure lightning in a bottle, and for a taster may we direct your ears to the opening number, a grooving, funky, spacey cover of “Tomorrow Never Knows” (written as T.N.K. on the track list).

Here’s the thing, this wasn’t even Eno’s band. This was instead the band of fellow Roxy Music member Phil Manzanera, who formed an ad-hoc supergroup of friends to play three gigs in England. With Roxy Music temporarily on hiatus, Manzanera brought in Bill MacCormick, from his other side group Quiet Sun, on bass; Francis Monkman from Curved Air on keyboards; popular session drummer Simon Philips; and guitarist Lloyd Watson, who Eno fans will know from his whacked-out slide on “Some of them Are Old” from his first album. Eno provides the majority of everything else, listed in the credits as “keyboards, synthesizers, guitar, vocals and tapes.”

It’s the vocals that are key, though, and his warm tones are perfect for this re-arranged Beatles classic. They also elevate the album throughout from “decent live gig” to essential listening. His version of Quiet Sun’s angular “Rongwrong” is smooth and wistful, turning a jokey tune into…well, into an Eno song.

The band only rehearsed three weeks before the three-city tour started, beginning in Norfolk, then playing the Reading Festival, and finally ending in London at Queen Elizabeth Hall, where the show was recorded. For a set-list consisting of Eno songs, Manzanera songs, space jams, two 1960s covers (the other being the Kinks’ “You Really Got Me”) and played by a band that hadn’t really met a month before, it’s a rock-solid album. It also sounds fantastic, almost like a “live in the studio” recording save for the applause in-between numbers.

Eno has rarely played live since then, and when he has it’s been his ambient music, most recently at a one-night-only concert with his brother at the Acropolis in Greece. But to hear the velvety glam-god rocking out? It’s just 801 Live, my friends, and that’s all you really need.

via @MrCompletely

Related Content:

Brian Eno Launches His Own Radio Station with Hundreds of Unreleased Tracks: Hear Two Programs

Hear Brian Eno’s Rarely-Heard Cover of the Johnny Cash Classic, “Ring of Fire”

Brian Eno Lists the Benefits of Singing: A Long Life, Increased Intelligence, and a Sound Civilization

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

Hear Brian Eno Sing The Beatles’ “Tomorrow Never Knows” as Part of The Best Live Album of the Glam/Prog Era (1976) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3dYRJbU
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...