Skip to main content

Rick Rubin: The Invisibility of Hip Hop’s Greatest Producer

New York-born, L.A.-based record producer Rick Rubin started his musical career as a guitarist, first in a short-lived high school band, then in the punk band Hose, touring the country with 80s hardcore stalwarts like Hüsker Dü and the Meat Puppets. It was an auspicious beginning for the major producer Rubin would become in later years, behind albums by Weezer, Red Hot Chili Peppers, Slayer, Danzig, Metallica… the list goes on. Not all of his work has been beloved, but hardly any of it has been ignored. Rubin’s won 9 Grammy awards since 1998, including one this year for the Strokes’ The New Abnormal and one in 2009 for Producer of the Year; in 2007 he appeared on the cover of The New York Times Magazine, covered in a white blanket and signature flowing beard, meditating over the headline “Can Rick Rubin Save the Music Business?”

Rubin revitalized Johnny Cash’s career, capturing the singer’s achingly poignant last recordings in six classic albums. He has appeared in documentaries over the past few years with Cash, Dave Grohl, and Paul McCartney he’s been a guest of David Letterman’s My Next Guest Needs No Introduction with David Letterman; he’s had a four-part documentary made about him in 2019 called Shangri-La….  And he is also – of course – all over contemporary hip-hop, producing Jay Z’s “99 Problems” and pivotal albums by Kanye West and Eminem. This is no surprise, considering he was a major figure of the genre’s origins, taking time between Hose gigs to found and co-run Def Jam Records with Russell Simmons and produce seminal albums by LL Cool J, Public Enemy, Run-D.M.C., and the Beastie Boys.

Given all of the above, in what sense can anyone claim Rick Rubin is “invisible”? Just such an argument is made in the video above by Soulr. It’s a compelling one, due mainly to Rubin’s presence, a steady calming force – the result of years of transcendental meditation and a relaxed approach to work that favors conversation over control. “Despite his reputation as a solid-gold hitmaker,” a WNYC profile noted, “Rubin remains stubbornly modest. He attributes his success to his one rule in the studio. ‘We don’t talk about what’s going to get on the radio [or] how are we going to make our release date,’ he says. ‘We talk about how we make this song as good as it can be.’” In letting the artist’s vision emerge, Rubin lets himself disappear, playing the role of therapist, as he himself describes it:

If you really listen to what people say, usually they tell you everything. I just really pay attention to what people say, and through that I can reflect back thoughts that they’ve told me about themselves that they don’t know about themselves. And allow them to unlock those doors to get to the places they want to go artistically. 

In a clip taken from Shangri-La, we see star rapper Tyler, the Creator tell Rubin, “You’re so goddamn free.” As Judy Berman writes in a Time review of that Rubin-produced documentary, “coming from an artist whose entire career has been a series of shocks to the mainstream, that’s high praise indeed.” The clip also sets the tenor for the fan-made documentary above. There isn’t a significant amount of criticism, to say the least, of Rubin’s role in the so-called “loudness wars” or charges from bands like Muse that he’s hardly involved in sessions at all. Those charges may indeed come from people who do not understand how a man “behind hundreds and hundreds of beloved records… doesn’t appear to do much, while doing everything at the same time.” Find out how Rubin has used his powers of invisibility for the good of popular music. His superpower, the video’s narrator tells us, is “simply his ability to listen.”

Related Content: 

The History of Hip Hop Music Visualized on a Turntable Circuit Diagram: Features 700 Artists, from DJ Kool Herc to Kanye West

Enter the The Cornell Hip Hop Archive: A Vast Digital Collection of Hip Hop Photos, Posters & More

How Jazz Became the “Mother of Hip Hop”

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Rick Rubin: The Invisibility of Hip Hop’s Greatest Producer is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3DT2JlG
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...