Skip to main content

British Actor Bob Hoskins’ Helped Thousands Learn to Read in On the Move, a 1970s “Sesame Street for Adults”

British character actor Bob Hoskins has been remembered for “playing Americans better than Americans,” as USA Today wrote when Hoskins passed away in 2014. Characters like Who Framed Roger Rabbit?’s Eddie Valiant, Nixon’s J. Edgar Hoover, and The Cotton Club’s Owney Madden stand out as some of his best performances in Hollywood. But he began his career in British film and television, playing cops and gangsters. Helen Mirren, who starred opposite him in his first major role, The Long Good Friday, and onstage in The Duchess of Malfi, penned a glowing tribute for The Guardian. “London,” she wrote, “will miss one of her best and most loving sons, and Britain will miss a man to be proud of.”

Mirren’s sentiments were echoed by British actors everywhere. Shane Meadows called him “the most generous actor I have ever worked with.” Stephen Woolley described Hoskins as a working-class hero. “With his talent, Bob gatecrashed the world of celebrity, and made all of us ordinary people feel a little better about ourselves.” It was a role he was seemingly born to play, despite his range. Hoskins was “a great actor,” writes Woolley, “yet unlike many actors he was first and foremost a courteous, sweet and caring human being. He could make monsters human and wring a smile out of any situation without a whisker of embarrassment.”

Those are the very qualities that endeared viewers to Hoskins’ first breakout character, Alf Hunt, a furniture removal man who struggled with reading and writing in On the Move, a kind of “Sesame Street for adults” that ran in 1976 on the BBC. The 10-minute shorts ran on Sunday afternoons “as part of the BBC’s adult education remit,” Mark Lawson writes at The Guardian. Hoskins’ performance brought to life for viewers “a proud man who has desperately disguised his learning difficulties.” It met a serious need among the nation’s populace.

“The show attracted 17 million viewers a week, (way beyond the size of its target audience),” notes a MetaFilter user. On the Move “helped make Hoskins famous. It was also responsible for persuading 70,000 people to sign up for adult literacy programmes.” Hoskins treasured the letters he received from viewers who decided to change their lives after seeing the show. They may well have done so because he gave his all to the character, as Lawson writes:

Handed a working-class stereotype (not for the last time in his career), Hoskins gave Alf a vulnerability and poignancy far beyond the requirements of a public information short. Apart from its intended audience of adults struggling with reading and writing, On the Move gained a large secondary following among literate viewers because, even then, Hoskins’ expressive face and growly voice made you want to watch and listen.

In each episode, Alf revealed his struggles to his friend Bert, played by Donald Gee. The show also featured inspiring interviews with adults who had taken adult literacy classes and appearances by special guest stars like Patricia Hayes and Martin Shaw (who both appear in the episode at the top). While other famous actors may disown early television work, Hoskins never did. On the Move “shared the qualities of his best stuff. Whereas most footage in Before They Were Famous type shows is calculated to be bathetic or embarrassing,” Hoskins’ earliest work does quite the opposite, explaining why he “went on to become the star he did.”

On the Move may also have earned Hoskins another title, one he might have cherished as much as any acting plaudit. George Auckland, who later directed the BBC’s adult education program, called him “the best educator Britain has produced” because of his wide reach among adults struggling with literacy in 1970s Britain. See an episode of On the Move at the top of the post and hear what commenters call “the catchiest theme song ever” just above.

via Metafilter

Related Content: 

How to Read Many More Books in a Year: Watch a Short Documentary Featuring Some of the World’s Most Beautiful Bookstores

Growing Up Surrounded by Books Has a Lasting Positive Effect on the Brain, Says a New Scientific Study

Take The Near Impossible Literacy Test Louisiana Used to Suppress the Black Vote (1964)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

British Actor Bob Hoskins’ Helped Thousands Learn to Read in On the Move, a 1970s “Sesame Street for Adults” is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2UiPl9q
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca