Skip to main content

The World’s First Bass Guitar (1936)

Image via Ebay

The big, stand-up double bass or “bull fiddle,” as it’s been called, dates to the 15th century. The design has evolved, but its four strings and EADG tuning have remained standard features of basses for several hundred years of classical and, later, jazz, country, and early rock and roll. Its booming tone and unwieldy size notwithstanding, the venerable instrument is a member of the violin family. So, when did the four-string bass become a bass guitar?

Leo Fender’s 1951 Precision Bass is frequently cited as the first — “such a special instrument,” writes the Fender company, that “if Clarence Leo Fender were to be remembered for nothing else, surely it would be the Precision — an instrument — indeed a whole new kind of instrument — that simply didn’t exist before he invented it.”

Prior to Fender’s innovation, it was thought that the earliest examples of electric basses were stand-up models like Regal’s Electrified Double Bass and Rickenbacker’s Electro-Bass-Viol, both dating from 1936.

Image via Ebay

But as historian and writer Peter Blecha found out, the first electric bass guitar actually appeared that same year, invented in ‘36 by “musician/instructor/basement tinkerer” Paul H. Tutmarc, “a pioneer in electric pickup design who marketed a line of electric lapsteel guitars under the Audiovox brand out of the unlikely town of Seattle.” Throughout the thirties and forties, notes Guitar World, Tutmarc “made a number of guitars and amplifiers under the Audiovox brand.” In 1935, he invented a “New Type Bull Fiddle,” an electric stand-up bass. The Seattle Post-Intelligencer announced it at the time as good news for the “poor bass-fiddler… who has to lug his big bull-fiddle home” at the end of the night.

The following year, Tutmarc combined his instrument-making skills into the world’s first bass guitar, the Audiovox 736 Electric Bass Fiddle, a true original and a “radical design breakthrough,” Blecha writes. Tutmarc’s instrument solved the bassist’s problems of being inaudible in a big band setting and being barely able to carry one’s instrument to and from a gig. The 736 did not catch on outside Seattle, but it did get out a lot around the city.

Tutmarc “gave the bass to his wife Lorraine, who used it while performing with the Tutmarc family band. [He] also sold copies to various gospel, Hawaiian, and country players.” (The bass cost around $65, or $1,150 today, with a separate amp that sold for $95.) Now, there are only three known Audiovox 736s in existence: one held by a private collector, another at Seattle’s Museum of Pop Culture, and a third auctioned a few years ago on Ebay for $23,000.

Did Leo Fender see one of Tutmarc’s creations when he invented the first truly mass-market electric bass guitar? Perhaps, but it hardly matters. It was Fender’s instrument that would catch on — for good — fifteen years after the Audiovox 736, and it was Tutmarc’s fate to be largely forgotten by musical history, “destined to remain obscure,” Blecha writes, “to the extent that, in the wake of Leo Fender’s Precision Bass… the very existence of a previous electric fretted bass (played horizontally) was effectively forgotten.” See an introduction and demonstration of the first bass guitar just above.

Related Content: 

The Neuroscience of Bass: New Study Explains Why Bass Instruments Are Fundamental to Music

Visualizing the Bass Playing Style of Motown’s Iconic Bassist James Jamerson: “Ain’t No Mountain High Enough,” “For Once in My Life” & More

Legendary Studio Musician Carol Kaye Presents 150 Free Tips for Practicing & Playing the Bass

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

The World’s First Bass Guitar (1936) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/34vfynd
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

The History of the Fisheye Photo Album Cover

Like gothic script in heavy metal, the fisheye album cover photo seems like a naturally occurring feature of certain psychedelic strains of music. But it has a history, as does the fisheye photograph itself. The Vox video above begins in 1906 with Johns Hopkins scientist and inventor Robert Wood, a somewhat eccentric professor of optical physics who wanted to duplicate the way fish see the world: “the circular picture,” he wrote, “would contain everything within an angle of 180 degrees in every direction, i.e. a complete hemisphere.” Rather than putting them to underwater use, later scientists employed Wood’s ideas in astronomical observation. Their next stop was the professional photography market: the first mass-produced fisheye lens, made by Nikon, cost $27,000 in 1957. From academic journals to the pages of Life magazine: mass media brought fisheye photography into popular culture. An affordable, consumer-grade lens in 1962 brought it within the reach of the masses. For t...