Skip to main content

The Ukulele Orchestra of Great Britain’s Headbanging Cover of Nirvana’s “Smells Like Teen Spirit”

Smells Like Teen Spirit is an unusual anthem because it refuses the role of the anthem. It’s perfect for the generation it represented because this was a cohort that was so ambivalent about any traditional values [or] conventional success. — music critic Ann Powers 

The screaming existential angst of “Smells Like Teen Spirit” ensured that Nirvana would define, transcend, and outlast the 90s grunge scene.

The song was an instant hit. Here’s a description from someone who was present at the small Seattle club O.K Hotel for its first live performance:

They started playing the new song and people erupted. We were being slimed on by shirtless guys, just moshing. My friend Susan started hyperventilating, she thought it was so good: ‘I can’t, gasp, believe what they just played!’ It was just instantaneous; it was crazy.

“Smells Like Teen Spirit” was unreconstituted rock bliss to us…

…and perhaps not the most natural fit for a ukulele cover?

On the other hand, what better instrument for those “ambivalent about conventional success” than the ukulele?

The Ukelele Orchestra of Great Britain‘s cover is as intentionally silly as the band itself, but also manages to convey some of the original’s DGAF attitude.

That’s quite an accomplishment for a seated row of formally dressed, middle aged musicians, strumming in unison on an instrument anyone can play… but few can play well.

The ukulele has become cool in certain circles, but remains inextricably linked to Tiny Tim tiptoeing through the tulips, and a million fumbling summer camp recreations of Jake Shimabukuro’s gentle Hawaiian “Somewhere Over the Rainbow.”

Orchestra founder Peter Brooke Turner‘s tribute to lead vocalist Kurt Cobain helps nudge the needle  past pure novelty into the realm of credibility, or at least a sophisticated understanding of all the ways in which the original works.

Plus, his “yeah” at 1:52 transcends the era of flannels, harkening to a time when the unconflicted preening rock god reigned supreme. (We should note that he serves plenty of ham alongside that sausage.)

Best of all is David Suich‘s enthusiastic headbanging. Clearly a fellow who enjoys putting his long hair in service of his art! (We refer you to the Ukulele Orchestra’s interpretation of AC/DC’s “Highway to Hell.” below…)

Related Content: 

The First Live Performance of Nirvana’s “Smells Like Teen Spirit” (1991)

Seriously Awesome Ukulele Covers of “Sultans of Swing,” “Sweet Child O’ Mine,” “Thunderstruck,” and “Smells Like Teen Spirit”

How Nirvana’s Iconic “Smells Like Teen Spirit” Came to Be: An Animated Video Narrated by T-Bone Burnett Tells the True Story

1,000 Musicians Play Nirvana’s “Smells Like Teen Spirit” Live, at the Same Time

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine.  Follow her @AyunHalliday.

The Ukulele Orchestra of Great Britain’s Headbanging Cover of Nirvana’s “Smells Like Teen Spirit” is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3uP0A6V
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...