Skip to main content

The Creation & Restoration of Notre-Dame Cathedral, Animated

With The Hunchback of Notre-Dame, Victor Hugo intended less to tell a story than to mount a defense of Gothic architecture, which in the early 19th century was being demolished in cities all across France. The book‘s original purpose is more clearly reflected by its original title, Notre-Dame de Paris. 1482, and the titular medieval cathedral’s importance to the capital for nearly two centuries now owes a great deal to the novelist’s advocacy. Hugo would no doubt be pleased by the effort that has gone into preserving Notre-Dame into the 21st century, share in the feelings of devastation that followed the fire of April 2019, and admire the spirit that motivated commencement of the restoration work immediately thereafter.

Or rather, the commencement of the stabilization work immediately thereafter: given the extent of the damage, the then-674-year-old structure had first to be made safe to restore. The AFP News Agency video above explains and visualizes that process, a complex and difficult one in itself. The first priority was to protect the exposed areas of the cathedral from the elements and shore up their flying buttresses (a signature structural element of Gothic architecture) to prevent collapse.

Melted together by the fire, sections of scaffolding that had been set up for previous restoration work also posed considerable difficulties to remove without harming the building. As for the rubble heaped inside, sorting through it required conducting a 3D scan, then bringing in remote-controlled robots and a team of archaeologists.

“I saw the disaster unfolding before me,” says one such archaeologist, Olivier Puaux, in the Radio France Internationale video just above. “It was so sad that I went home before the spire fell.” But just a month later he returned to work on the ambitious restoration project, several of whose workers appear to share their experience with its challenges, dangers, and perhaps unexpected learning opportunities. Removing and sorting through all the fallen wood, stone, and other materials — some of which came through the blaze in re-usable condition — has provided new insights into the cathedral’s construction. Even its very nails, says Puaux, turn out on close inspection to be “very large, very well forged.” As distressed as Victor Hugo may have felt about Notre-Dame’s future, its original builders were surely confident that they were creating a survivor.

Related Content:

How Digital Scans of Notre Dame Can Help Architects Rebuild the Burned Cathedral

A Virtual Time-Lapse Recreation of the Building of Notre Dame (1160)

Paris in Beautiful Color Images from 1890: The Eiffel Tower, Notre Dame, The Panthéon, and More (1890)

Notre Dame Captured in an Early Photograph, 1838

Take an Aerial Tour of Medieval Paris

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

The Creation & Restoration of Notre-Dame Cathedral, Animated is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2SwFk7z
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...