Skip to main content

Radiohead’s Thom Yorke Releases a Super Creepy Version of “Creep”

Like many bands with a killer, career-launching debut single, Radiohead has had a long, love-hate relationship with 1992’s “Creep”. There’s no way they would have become stadium fillers without it, but they’re also understandably sick of it. According to setlist.fm, they played it over 310 times between 1992 and 1998, and then they kind of dropped it from their gigs once they entered their Kid A phase. Only in 2016, during the Moon Shaped Pool tours did they add it back into the set.

But man, 2016 seems like a lonnnnnng time ago, doesn’t it? Everybody’s still figuring out the future of live concerts. Nobody is sure how far ahead is safe enough to announce ticket sales. Will venues be open or shut again? Into the fray of uncertainty comes this oddity: a nine-plus minute version of “Creep” credited to Thom Yorke. (“Thom Yorke should collab with Radiohead more often” says one wag in the YouTube comments). You want Creep, ya say? Well, here’s a LOT of it.

Thom Yorke takes his vocals, stretches them out until they’re corrupted digitally, and fills the airy gaps with acoustic guitar, adding twice as many bars as the original. As NPR said, Yorke’s vocals sound like a “rant from a man who’s lost his mind to old age and isolation.” (Hence the “Very 2021 Remix” title). It was about 30 years ago, we have to add, though we hate to admit it. Electronic burbles and bass throbs enter halfway through and further disturb the already disturbing.

Yorke created the mix for fashion designer Jun Takahashi, whose animated artwork runs in a loop for the video. The song accompanies Takahashi’s UNDERWORLD Fall 2021 collection runway show.

As Pitchfork points out, Yorke has contributed music to fashion shows before:

n 2016, he contributed an original song called “Coloured Candy” to Rag & Bone’s 2017 Spring/Summer showcase. Years prior, he contributed the songs “Stuck Together” and “Twist” for another one of the fashion label’s shows.

Yorke, by the way, hasn’t been laying low during the plague year. In May of this year he debuted a new side band called The Smile at Glastonbury, called out the Johnson government as “spineless” regarding their response to COVID and the live music scene, and shared a 30-minute mix of new music on BBC Radio 6. What comes next? Stay tuned.

Related Content:

Radiohead’s Thom Yorke Performs Songs from His New Soundtrack for the Horror Film, Suspiria

Radiohead Ballets: Watch Ballets Choreographed Creatively to the Music of Radiohead

Thom Yorke’s Isolated Vocal Track on Radiohead’s 1992 Classic, ‘Creep’

Introducing The Radiohead Public Library: Radiohead Makes Their Full Catalogue Available via a Free Online Web Site

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

Radiohead’s Thom Yorke Releases a Super Creepy Version of “Creep” is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3xAlZ5c
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...