Skip to main content

Watch Blondie’s Debbie Harry Perform “Rainbow Connection” with Kermit the Frog on The Muppet Show (1981)

Do you dig songs about rainbows?

The host of one of the very last episodes of The Muppet Show — Debbie Harry, lead singer of Blondie – does, and in 1981, she seized the opportunity to duet with Kermit the Frog on his signature tune, “The Rainbow Connection” — its only performance in the series’ five season run.

Many of us associate the folksy number with The Muppet Movie‘s pastoral opening scene. This rendition transfers the action backstage to the kimono-clad Harry’s dressing room.

Who knew her sweet soprano would pair so nicely with a banjo?

She also exhibits a game willingness to lean into Muppet-style hamminess, responding to the lyric “Have you heard voices?” with an expression that verges on psychological horror.

Midway through, the two are joined by a chorus of juvenile frogs in scouting uniforms.

A little context — these youngsters spend the episode trying to earn their punk merit badge.

No wonder. By 1981, when the episode aired, Blondie had achieved massive mainstream success, with such hits as “One Way or Another” and “Call Me,” both of which were shoehorned into the episode.

As creator Jim Henson’s son, Brian, recalled in a brief introduction to its video release:

…I was in high school and my father knew that Debbie Harry was, like, the biggest thing in the world to me. And he booked her to be on The Muppet Show during a vacation week from school and he didn’t tell me. We went out to dinner the night before shooting and they made me sit next to Debbie Harry at this fancy restaurant. And I just remember this whole dinner I was just endlessly sweating and all I knew was that I was aware of Debbie Harry sitting on the side of me. I don’t think I ever said a word to her, I don’t think I ever looked at her, but she did a great episode, she’s a great performer and she’s a lovely lady.

With punk permeating the airwaves, the fan site Tough Pigs, Muppet Fans Who Grew Up laments other guest hosts who might have been booked before the show ended its run:

It’s a shame Debbie Harry was the only member of her scene to make it to The Muppet Show. Can you imagine special guest stars, The Ramones, The B-52’s or even Talking Heads? … Harry’s guest stint reveals that the Muppets’ chaotic and textured world has more in common with the punk scene than one would initially expect.

The finale finds the Frog Scouts moshing to “Call Me,” with a reasonably “punk” looking, rainbow-clad backing Muppets band (Dr. Teeth and the Electric Mayhem sat this one out due to their pre-existing associations with Motown, jazz, and a more classic rock sound.)

Related Content: 

The Muppets Sing the First & Second Acts of Hamilton

Witness the Birth of Kermit the Frog in Jim Henson’s Live TV Show, Sam and Friends (1955)

When Debbie Harry Combined Artistic Forces with H.R. Giger

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Follow her @AyunHalliday.

Watch Blondie’s Debbie Harry Perform “Rainbow Connection” with Kermit the Frog on The Muppet Show (1981) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3v0ZqVx
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...