Skip to main content

Radiohead Ballets: Watch Ballets Choreographed Creatively to the Music of Radiohead

Since Radiohead’s last release, A Moon-Shaped Pool, members of the band have been absorbed in other projects. They’ve turned their band’s website into an archive for their discography and a library for rarities and ephemera — sending not-so-subtle signals their time together has reached a natural end, even if drummer Phil Selway said in 2020 “there are always conversations going on…. We’ll see. We’re talking.”

Two of the band’s most prominent members, guitarist Jonny Greenwood and frontman Thom Yorke, devoted their talents to film scores, a medium Greenwood has explored for many years: in the theatrical violence of There Will Be Blood, for example, the horrific aftermath of We Need to Talk about Kevin, and the almost balletic bloodiness of You Were Never Here. Yorke, meanwhile, scored Luca Guadagnino’s remake of Dario Argento’s Suspiria, a film in which ballet dancers’ bodies are broken and bloodied by black magic.

Greenwood, Yorke and company excel at conjuring atmospheres of dread, despair, and disorientation, traits that suit them well for arthouse film. They might not have seemed a natural fit, however, for ballet. And yet, Jason Kottke reports, the two are “together at last” — or at least as of 2016, when choreographer Robert Bondara toured Take Me With You, a piece scored to several Radiohead songs, including In Rainbows’ “Reckoner,” which you can see interpreted above by two dancers from the Polish National Ballet.

The performance is an athletic response to a kinetic track, in choreography not unlike pairs figure skating at times. It is not, however, the first time the band has inspired a ballet. In 2005, Romanian dancer and choreographer Edward Clug created a modern interpretation of Shakespeare set to songs from OK Computer and Kid A. Radio and Juliet debuted in Slovenia, toured the world, celebrated its hundredth performance in 2012, and was scheduled to open in Moscow in 2020.

Clug drew on a prior connection: OK Computer’s “Exit Music (For a Film)” was written for, but not used in, the 1996 Baz Luhrmann film adaptation of Shakespeare’s play. After Radio and Juliet, Clug once again drew inspiration from his favorite band (“They are the soundtrack to my other side; listening to them feels like I’m finding a self that I haven’t met yet.”) Clug’s piece “Proof” (preview above), set to “Feral” from The King of Limbsdebuted in 2017, his first for the Nederlands Dans Theater. If we are to have no more Radiohead, here’s hoping at least we’ll see more Radiohead ballets.

via Kottke

Related Content:  

Introducing The Radiohead Public Library: Radiohead Makes Their Full Catalogue Available via a Free Online Web Site

Radiohead’s Thom Yorke Performs Songs from His New Soundtrack for the Horror Film, Suspiria

Classic Radiohead Songs Re-Imagined as a Sci-Fi Book, Pulp Fiction Magazine & Other Nostalgic Artifacts

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Radiohead Ballets: Watch Ballets Choreographed Creatively to the Music of Radiohead is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3aSs97P
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca