Skip to main content

Istanbul Captured in Beautiful Color Images from 1890: The Hagia Sophia, Topkaki Palace’s Imperial Gate & More

Even those who know nothing else about Istanbul know that it used to be called Constantinople. The official renaming happened in 1930, meaning that the photographs you see here, all of which date from around 1890, were taken, strictly speaking, not in Istanbul but Constantinople. But under any name, and despite all the other changes that have occurred over the past 130 years, the Turkish metropolis on the Bosphorus remains recognizable as the gateway between East and West it has been throughout recorded history. This is thanks in part to its oldest landmarks, above all the cathedral-turned-mosque-turned-museum known as Hagia Sophia, pictured above.

In the 1890s Hagia Sophia was still a mosque, and as we recently posted here, it has just this year become one again. But as a historically rich structure even by the standards of such a historically rich city, it will no doubt remain Istanbul's prime tourist attraction in the 2020s, much as it must have been in the 19th century.

For those who couldn't make the trip in those days — or who could make the trip and wanted to bring home souvenirs that could convey as richly as possible what they'd seen on their travels — there were Photocrom prints. Though not technically a color photography process, Photocrom could produce fairly convincing images by applying color to black-and-white pictures.

Hence Photocrom's use in capturing vistas from the great European cities, including Rome, Venice, and Paris, all previously featured here on Open Culture. Photocrom prints, explains the Library of Congress' web site, "are ink-based images produced through 'the direct photographic transfer of an original negative onto litho and chromographic printing plates,'" a technology that allowed for the mass production of images that could then be widely distributed. Thanks to the ventures of licensees like the Detroit Publishing Company, those on the other side of the world could behold a city like Istanbul — or rather Constantinople — through what looked "deceptively like color photographs."

The subjects of these prints, all of which you can view and download at the Library of Congress' online archive, include not just Hagia Sophia but the fountain of Sultan Ahmed, Topkaki Palace's imperial gate, and the Galata Bridge (for which Leonardo da Vinci himself once submitted a design). Other pictures depict the city's street life with views of the Eminönü bazaar as well as barbers and cooks plying their trade in the open air. The colors and contrasts of the Photocrom process gives all of them a sense of reality more vivid, in a way, than reality itself — but as those who've been there know, the reality of Istanbul is vivid enough for anybody.

Related Content:

Free: Download Thousands of Ottoman-Era Photographs That Have Been Digitized and Put Online

An Introduction to Hagia Sophia: After 85 Years as a Museum, It’s Set to Become a Mosque Again

Rome Comes to Life in Photochrom Color Photos Taken in 1890: The Colosseum, Trevi Fountain & More

Venice in Beautiful Color Images 125 Years Ago: The Rialto Bridge, St. Mark’s Basilica, Doge’s Palace & More

Paris in Beautiful Color Images from 1890: The Eiffel Tower, Notre Dame, The Panthéon, and More (1890)

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

Istanbul Captured in Beautiful Color Images from 1890: The Hagia Sophia, Topkaki Palace’s Imperial Gate & More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3kgwMLs
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

The History of the Fisheye Photo Album Cover

Like gothic script in heavy metal, the fisheye album cover photo seems like a naturally occurring feature of certain psychedelic strains of music. But it has a history, as does the fisheye photograph itself. The Vox video above begins in 1906 with Johns Hopkins scientist and inventor Robert Wood, a somewhat eccentric professor of optical physics who wanted to duplicate the way fish see the world: “the circular picture,” he wrote, “would contain everything within an angle of 180 degrees in every direction, i.e. a complete hemisphere.” Rather than putting them to underwater use, later scientists employed Wood’s ideas in astronomical observation. Their next stop was the professional photography market: the first mass-produced fisheye lens, made by Nikon, cost $27,000 in 1957. From academic journals to the pages of Life magazine: mass media brought fisheye photography into popular culture. An affordable, consumer-grade lens in 1962 brought it within the reach of the masses. For t...