Ballerina Misty Copeland Recreates the Poses of Edgar Degas’ Ballet Dancers

#Repost @nycdanceproject ??? We are remembering the Misty Copeland Degas inspired photo shoot we did for Harper's Bazaar in March. The Degas exhibit that inspired this at @themuseumofmodernart is closing this Sunday - try to see it if you get a chance! Dress by @maisonvalentino @harpersbazaarus @mistyonpointe #theartofmovement #nycdanceproject #degas #mistycopeland #misty #harpersbazaar #moma

Like another modernist artist, Edgar Degas, Copeland has revolutionized the image of the ballet dancer. Degas’ ballet paintings, “which the artist began creating in the late 1860s and continued making until the years before his death, in 1917, were infused with a very modern sensibility. Instead of idealized visions of delicate creatures pirouetting onstage, he offered images of young girls congregating, practicing, laboring, dancing, training….” He showed the unglamorous life and work behind the costumed pageantry, that is.

#Repost @dancenthusiast ??? ?"I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me." ~ Misty Copeland ? [Image: Misty Copeland recreating 'The Little Fourteen-Year-Old Dancer,' a sculpture by Edgar Degas] ____________________________________ photo by @nycdanceproject

Photographers Ken Browar and Deborah Ory envisioned Copeland as several of Degas’ dancers, posing her in couture dresses in recreations of some of his famous paintings and sculptures. The photographs are part of their NYC Dance Project, in partnership with Harper’s Bazaar. As Kottke points out, conflating the histories of Copeland and Degas’ dancers raises some questions. Degas’ had contempt for women, especially his Parisian subjects, who danced in a sordid world in which “sex work" between teenage dancers and older men "was a part of a ballerina’s reality,” writes author Julia Fiore (as it was too in Nijinsky’s day).

This context may unsettle our viewing, but the images also show Copeland in full control of Degas’ scenes, though that's not the way it felt, she says. “It was interesting to be on shoot and to not have the freedom to just create like in normally do with my body. Trying to re-create what Degas did was really difficult.” Instead, she embodied his figures as herself. “I see a great affinity between Degas’s dancers and Misty,” says Thelma Golden, director of the Studio Museum in Harlem. “She has knocked aside a long-standing music-box stereotype of the ballerina and replaced it with a thoroughly modern, multicultural image of presence and power.”

@popsugarfitness continues to take our breath away as she recreates paintings and sculptures by artist Edgar Degas for @harpersbazaarus. ?(? @nycdanceproject) #mistycopeland #ballet

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See more of Copeland’s Degas recreations at Harper’s Bazaar.

via Kottke

Watch the 1917 Ballet “Parade”: Created by Erik Satie, Pablo Picasso & Jean Cocteau, It Provoked a Riot and Inspired the Word “Surrealism”

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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

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