Skip to main content

Why the Soviets Doctored Their Most Iconic World War II Victory Photo, “Raising a Flag Over the Reichstag”

No photograph symbolizes American victory more recognizably than Joe Rosenthal's Pulitzer Prize-winning Raising the Flag on Iwo Jima. Taken on February 23, 1945, it shows six U.S. Marines raising their country's flag during the battle — a bloody one even by the standards of the Second World War — for control of that Japanese island. The Soviet Union had an equivalent image: Yevgeny Khaldei's Raising a Flag over the Reichstag, which shows a Russian soldier raising the Soviet flag on the roof of the former German parliament on May 2, 1945, during the Battle of Berlin. The similarities are obvious, but the difference isn't: the Soviet photo was faked.

To be more specific, Khaldei's picture was "staged," and "parts of it were altered before it was published." So says Vox's Coleman Lowndes in the video above, which reveals all the pre-Photoshop image manipulation — a specialty of Soviet propagandists even then —  performed on Raising a Flag over the Reichstag.

"Khaldei superimposed some black smoke from another photo and manipulated the contrast to give the scene a little more drama," which in itself may be an understandable choice. But he also erased the wristwatch of one of the soldiers brought in to pose with the flag, a detail you might not notice even holding the original and the doctored version side by side. As Lowndes explains, "The soldier supporting the flag-bearer was wearing two watches, suggesting he had been looting, a stain that didn't fit the image of Soviet heroism that Stalin wanted."

A look at the preceding few years of the war goes some way to explaining this. Germany had brutally invaded Russia in 1941, instilling in Russia a thirst for revenge that began to seem satiable when the tables began to turn on Germany the following year. In and on their way to Germany, the Red Army, too, committed crimes against the civilians in their path, looting surely being among the least of them. Raising a Flag over the Reichstag does its job in capturing a moment of Soviet victory, but as Lowndes says, "it also captures, and then conceals, a story of vengeance and mutual brutality, of murder, organized destruction, and pillaging, all culminating in this iconic moment." And the more iconic the moment, the more potentially revelatory its details — even more so in the case of false ones.

Related Content:

Long Before Photoshop, the Soviets Mastered the Art of Erasing People from Photographs — and History Too

Joseph Stalin, a Lifelong Editor, Wielded a Big, Blue, Dangerous Pencil

The History of Russia in 70,000 Photos: New Photo Archive Presents Russian History from 1860 to 1999

Download 437 Issues of Soviet Photo Magazine, the Soviet Union’s Historic Photography Journal (1926-1991)

The First Faked Photograph (1840)

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Why the Soviets Doctored Their Most Iconic World War II Victory Photo, “Raising a Flag Over the Reichstag” is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/38UfWvJ
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca