Skip to main content

The Anti-Conformist, Libertarian Philosophy That Shaped Rush’s Classic Albums

“Throughout their career, Rush have been proudly anti-conformist and anti-authoritarian,” notes the Polyphonic video on recently departed drummer and lyricist Neil Peart, above. “This philosophy is clearly reflected in many of their finest works.” Since the addition of Peart in 1974 after their first, self-titled album, Rush’s philosophy has also been unambiguously Libertarian.

Of course, Peart also turned Rush into the most literary of progressive rock bands. Steeped in fantasy, science fiction, and moral philosophy, he translated his influences into a sprawling sci-fi vision all his own, and one that consistently exceeded the sum of its parts. Yet early Rush was also very much a band that wrote earnest, epic songs about Ayn Rand’s Objectivism.

Peart drew heavily on her work in the first three albums he recorded with the band, including 1975’s Fly by Night, which included the song “Anthem,” an ode to towering creative geniuses that cribs from Rand's dystopian novel of the same name. Rush’s breakout masterwork, 2112, released the following year, expanded dramatically on the theme, as you’ll see in the Polyphonic breakdown of its lyrics.

The 20-minute opening title track tells the story of a futuristic, fictional city of Megadon, a place, writes Rob Bowman in the 40th anniversary edition liner notes, “where individualism and creativity are outlawed with the population controlled by a cabal of malevolent Priests who reside in the Temples of Syrinx.” Based on a short story by Peart, he himself credited its inspiration in the original liner notes to “the genius of Ayn Rand.”

These references don’t seem to make Rush fans love their career-defining mid-seventies concept albums any less. But it has meant that a great deal of talk about Rush has forever linked Peart with this phase in his life. Asked about it in Rolling Stone almost four decades after 2112’s release, he disavowed a lasting influence.

Oh, no. That was 40 years ago. But it was important to me at the time in a transition of finding myself and having faith that what I believed was worthwhile…. On that 2112 album, again, I was in my early twenties. I was a kid. Now I call myself a bleeding heart libertarian.

The change came about, he says, after he saw how libertarian ideals get “twisted by the flaws of humanity.” Peart, and Rush, however never wavered from their anti-authoritarian championing of individual rights. And denials aside, the Randian influence lingered, especially in songs like “Freewill” from 1980’s Permanent Waves:

You can choose from phantom fears  
And kindness that can kill  
I will choose a path that's clear  
I will choose free will 

Rush’s libertarian streak—both the early Objectivist and later “bleeding heart” varieties—can broadly be called their guiding political philosophy. But it should not be mistaken for Peart’s sole obsession. His songs are full of huge themes, as well as the “thorny questions” of everyday life, writes Annie Zaleski at NPR. “Like the best songwriting, Peart’s body of work was also malleable enough to grow with its listeners—his songs often mused about aging and the importance of dreaming.”

Sometimes Rush spoke even more directly to their aging fans. “The ominous ‘Subdivisions’ railed against the conformist suburbs that ‘have no charms to soothe the restless dreams of youth.’” Whether or not Rush fans themselves have had an early Ayn Rand phase, all of them identify with Peart’s lifelong desire to seize his own destiny and escape the mundane.

Related Content:

Witness Rush Drummer Neil Peart’s (RIP) Finest Moments On Stage and Screen

Who Are the Best Drum Soloists in Rock? See Legendary Performances by Neil Peart (RIP), John Bonham, Keith Moon, Terry Bozzio & More

Free Audio: Ayn Rand’s 1938 Dystopian Novella Anthem 

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.

The Anti-Conformist, Libertarian Philosophy That Shaped Rush’s Classic Albums is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2R3JhOb
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

Drunk History Takes on the Father of Prohibition: The Ban on Alcohol in the U.S. Started 100 Years Ago This Month

There may be plenty of good reasons to restrict sales and limit promotion of alcohol. You can search the stats on traffic fatalities, liver disease, alcohol-related violence, etc. and you’ll find the term “epidemic” come up more than once. Yet even with all the dangers alcohol poses to public health and safety, its total prohibition has seemed “so hostile to Americans’ contemporary sensibilities of personal freedom,” writes Mark Lawrence Schrad at The New York Times , “that we struggle to comprehend how our ancestors could have possibly supported it.” Prohibition in the United States began 1oo years ago-- on January 17, 1920--and lasted through 1933. How did this happen? Demand, of course, persisted, but public support seemed widespread. Despite stories of thousands rushing bars and liquor stores on the evening of January 16, 1920 before the 18th Amendment banning alcohol nationwide went into effect, “the final triumph of prohibition was met with shrugs…. The United States had...