Skip to main content

Pulitzer Prize-Winning Author Jared Diamond Describes How the U.S. Could Become a Dictatorship in 10 Years

It can happen here, and it has.

By “it” I mean the enormous concentration of wealth and political power in the hands of a very few, and by “here” I mean the United States of America, a country that advertises itself as a democracy, but should rightly be referred to as an oligarchy, ruled by a wealthy elite.

But the country is not a dictatorship yet. I say “yet” because that too can happen here, given the aforementioned concentration of wealth and power, the increasing tolerance for nationalism, cruelty, xenophobia, and near-constant lying, and the craven acquiescence so many of the country’s legislators—who are supposed to put a check on such things—have shown to the whims of a baldly autocratic executive.

Perhaps it is only a matter of time, given the above. How much time? Maybe ten years, argues Jared Diamond, Pulitzer Prize-winning anthropologist, geographer, historian, and ecologist, and author of The Third ChimpanzeeGuns, Germs, and Steel; Collapse: How Societies Choose to Fail or Succeed; and The World Until Yesterday.

In the Big Think video interview clip above, Diamond frames the problem as one of an unwillingness to compromise, using the analogy of a happy marriage. “The best you can hope for in a marriage is an agreement on 80%. If you agree on 80%, that’s fantastic.” For any two people, married or otherwise, 80% agreement seems optimistic. For an entire country, it seems almost utopian.

But whatever number you want to set as a realistic goal, the U.S. has fallen far below it—at least when it comes to the way our governmental bodies work, or don’t, together. This is not a problem reducible to “both sides.” One party in particular has consistently refused to work with the other and used every dirty trick—from extreme gerrymandering to refusing to let a sitting President appoint a Supreme Court Justice—to hold power.

Politics is a dirty business, you may say, and yes, it is. But—to return to Diamond’s point—a functioning democracy requires compromise. These days, congress cannot pass legislation; “legislatures are at odds with the judiciary” (Diamond cites the example of the Republican-controlled West Virginia congress impeaching the state’s entire, Democratic-majority, supreme court in 2018); state governments are suing the federal government, and vice-versa.

The failure of compromise, says Diamond, is “the only problem that could precipitate the United States into the end of democracy and into a dictatorship in the next decade.” The usual historical examples can be more or less instructive on this point. But there are other, more recent, dictatorships that do not receive nearly enough attention—perhaps by design, since they have been “friendly” regimes that the U.S. helped create.

Diamond describes the situation in Chile, for example, where he lived in the late 60s. When he first moved there, it had been “the most democratic country in Latin America,” a country that prided itself on its ability to compromise. But this quality was in decline, he says, and its loss led to the country’s military coup in 1973, which brought the brutal dictator Augusto Pinochet to power (with the help of the CIA and certain American economists).

The new Chilean government “smashed world records for sadism and torture,” says Diamond, shocking those Chileans who believed their country was immune to the excesses of other Latin American nations that had succumbed to repressive authoritarianism. If that happens here, he argues, it will not come through a military coup, but rather through “what we see going on now”—namely restrictions on the right to vote and voter apathy.

Voting is the primary solution, Diamond claims, but voting alone may not address the problem of oligarchy. When a handful of the wealthy control mass media, fund local and national political campaigns, and otherwise exert undue influence, through mass surveillance, manipulation, and the use of foreign agents, the possibility of free and fair elections may disappear, if it hasn’t already.

Nonetheless, Diamond’s point deserves some serious consideration. If we want to avert dictatorship in the U.S., how can we encourage compromise—without, that is, relinquishing our most fundamental values? It's a point to ponder.

Related Content:

Aldous Huxley Warns Against Dictatorship in America

Umberto Eco Makes a List of the 14 Common Features of Fascism

Hannah Arendt on “Personal Responsibility Under Dictatorship:” Better to Suffer Than Collaborate

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Pulitzer Prize-Winning Author Jared Diamond Describes How the U.S. Could Become a Dictatorship in 10 Years is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture http://bit.ly/2QLOCbb
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...