Skip to main content

Joy Harjo, Newly-Appointed U.S. Poet Laureate, Read Her Poems, “Remember,” “A Poem to Get Rid of Fear,” “An American Sunrise” and More

In Carolyn Forché’s stunning new memoir, What You Have Heard is True, the poet and activist makes a sad observation about poetry in America. When it is “mentioned in the American press, if it is mentioned, the story begins with ‘Poetry doesn’t matter,’ or ‘No one reads poetry.’ No matter what is said. It doesn’t matter.”

But of course, Forché believed poetry mattered a great deal—that we need it in the struggle “against forgetting,” a phrase she took from Milan Kundera for the title of an anthology of the “poetry of witness.” Poets resist injustice and inhumanity, she says “by virtue of recuperating from the human soul its natural prayer and consciousness.”

Such a poet is Joy Harjo, newly appointed Poet Laureate in the United States, the first Native American woman to hold the post. Harjo asks us to remember—to remember especially that the grand sweep of history cannot sever us from the natural world of which we are an inextricably a part, and which is itself the source of “the dance language is.”

Remember the plants, trees, animal life who all have 
      their
tribes, their families, their histories, too. Talk to 
      them,
listen to them. They are alive poems.

The stargazing, tree-hugging exhortations in “Remember” are radical statements in every sense of the word. Maybe poetry doesn’t matter much to most Americans. We cannot, as William Carlos Williams wrote, “get the news from poems,” and our hunger for fresh news is never sated. But maybe what we find in poetry is far better suited to saving our lives, offering a release, for example, from fear, as Harjo speak/sings in her charismatic performance from HBO’s Def Poetry Jam in 2002.

Harjo remembers the horrors her ancestors endured, and tells the fear that followed through the centuries, “I release you. You were my beloved and hated twin. But now I don’t know you as myself.” A member of the Muskoke/Creek Nation, Harjo was born in Tulsa, Oklahoma in 1951 and earned her MFA from the Iowa Writers Workshop in 1978. She went on to publish several books of poetry and nonfiction and win multiple prestigious awards while also performing poetry across the country and playing saxophone with her band Poetic Justice.

Her soulful delivery conveys a fundamentally American experience of the struggle against erasure, a struggle against power that is waged, as Kundera wrote, with the weapon of remembering. Echoing Langston Hughes, Harjo weaves the story of her community back into the country's past and its present—a story that includes within it demands for justice that will not be forgotten. Poetry should matter far more to us than it does. But those who hear the country’s newest Laureate may find she is exactly the fearless voice we need to remind us of our unavoidable connections to the past, the earth, and our responsibilities to each other.

Harjo stopped by the Academy of American Poets this month in celebration of her appointment. Just above, see her read “An American Sunrise.” “We are still America,” she says, “We / know the rumors of our demise. We spit them out. They die / soon.”

These reading will be added to the Poetry section of our collection, 1,000 Free Audio Books: Download Great Books for Free.

Related Content:

Hear Mary Oliver (RIP) Read Five of Her Poems: “The Summer Day,” “Little Dog’s Rhapsody in the Night,” “Many Miles” and “Night and the River”

“PoemTalk” Podcast, Where Impresario Al Filreis Hosts Lively Chats on Modern Poetry

An 8-Hour Marathon Reading of 500 Emily Dickinson Poems

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Joy Harjo, Newly-Appointed U.S. Poet Laureate, Read Her Poems, “Remember,” “A Poem to Get Rid of Fear,” “An American Sunrise” and More is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2IP2dMc
via Ilumina

Comments

Popular posts from this blog

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

A 10 Billion Pixel Scan of Vermeer’s Masterpiece Girl with a Pearl Earring: Explore It Online

We admire Johannes Vermeer’s  Girl with a Pearl Earring   for many reasons , not least that it looks exactly like a girl with a pearl earring. Or at least it does from a distance, as the master of light himself no doubt stepped back to confirm countless times during the painting process, at any moment of which he would have been more concerned with the brushstrokes constituting only a small part of the image. But even Vermeer himself could have perceived only so much detail of the painting that would become his masterpiece. https://www.youtube.com/watch?v=cKaZYTwmjwU Now, more than 350 years after its completion, we can get a closer view of Girl with a Pearl Earring  than anyone has before through a newly released  10 billion-pixel panorama . At this resolution, writes Petapixel’s Jason Schneider , we can “see the painting down to the level of 4.4-microns per pixel.” Undertaken by Emilien Leonhardt and Vincent Sabatier of 3D microscope maker Hirox Europe ...

Drunk History Takes on the Father of Prohibition: The Ban on Alcohol in the U.S. Started 100 Years Ago This Month

There may be plenty of good reasons to restrict sales and limit promotion of alcohol. You can search the stats on traffic fatalities, liver disease, alcohol-related violence, etc. and you’ll find the term “epidemic” come up more than once. Yet even with all the dangers alcohol poses to public health and safety, its total prohibition has seemed “so hostile to Americans’ contemporary sensibilities of personal freedom,” writes Mark Lawrence Schrad at The New York Times , “that we struggle to comprehend how our ancestors could have possibly supported it.” Prohibition in the United States began 1oo years ago-- on January 17, 1920--and lasted through 1933. How did this happen? Demand, of course, persisted, but public support seemed widespread. Despite stories of thousands rushing bars and liquor stores on the evening of January 16, 1920 before the 18th Amendment banning alcohol nationwide went into effect, “the final triumph of prohibition was met with shrugs…. The United States had...