Skip to main content

136 Maps Reveal Where Tourists & Locals Take Photos in Major Cities Across the Globe

How to tell the tourists in a city from the locals? Potentially reliable indicators include the language they speak, the terms they use, the way they dress, the way they walk, and whether they're standing in the middle of the sidewalk squinting at a map. But few factors draw the line between tourist and local more starkly than where they go and don't go: no matter the city, one will sooner or later hear talk of places locals know that tourists don't, places locals don't go because tourists do know about them, places tourists go when they want to act like locals, places locals go when they want to act like tourists, and so on.

In his project "Tourists and Locals," Eric Fischer has found one way of quantifying this great divide: where do the members of each group take the photos they upload to the internet? You can view the results in 136 different city maps or explore a whole world map, both of which use the same color coding: "The red bits indicate photos taken by tourists," says Brilliant Maps, "while the blue bits indicate photos taken by locals and the yellow bits might be either." Using "MapBox and Twitter data from Gnip to create the maps," Fischer defined locals as "those who tweeted from the same location for at least a month" and tourists as "those who were considered local in another city but were tweeting in a different location."

Here, from the top of the post down, we have Fischer's maps of Paris, Tokyo, Dublin, and San Francisco, all cities with varying degrees of overlap between the realm of the local and that of the tourist. Parisian attractions like the Parc de Belleville and the Bassin de la Villette show a relatively healthy tourist-local balance, whereas outsiders dominate in places like La Défense with its highly photographable skyscrapers, and of course the Louvre (to say nothing of the red-saturated Versailles, not pictured in this segment of the map). Compare that with Tokyo, which of course has world-famous spots — the quaintly historic Asakusa, the sublimely urban Shibuya Crossing — but whose form doesn't encourage quite as strict a physical separation of tourist and local.

The path a tourist takes through Dublin might overlap a great deal with the one Leopold Bloom took on June 16, 1904, but less so with the paths an average Dubliner takes in the 2010s. The Irish capital also offers a host of must-sees apart from the Ulysses tour — the Guinness Storehouse, Trinity College's Old Library, home of The Book of Kells— but visitors would do well to follow the example of Dublin's locals and get a bit more distance from the city center. They could do the same in San Francisco, a city of iconic tourist attractions on which, before the tech boom, its very survival seemed to depend. But do true travelers, as opposed to tourists, need this kind of data processing and information design to know their time would be better spent somewhere other than Fisherman's Wharf?

See 136 different city maps here.

via Brilliant Maps

Related Content:

Take a Visual Journey Through 181 Years of Street Photography (1838-2019)

The Shifting Power of the World’s Largest Cities Visualized Over 4,000 Years (2050 BC-2050 AD)

How Leonardo da Vinci Drew an Accurate Satellite Map of an Italian City (1502)

James Joyce’s Dublin Captured in Vintage Photos from 1897 to 1904

An Online Gallery of Over 900,000 Breathtaking Photos of Historic New York City

A Wonderful Archive of Historic Transit Maps: Expressive Art Meets Precise Graphic Design

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

136 Maps Reveal Where Tourists & Locals Take Photos in Major Cities Across the Globe is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture http://bit.ly/2JYZp1c
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca