Skip to main content

The Beautifully Illustrated Atlas of Mushrooms: Edible, Suspect and Poisonous (1827)

Two centuries ago, Haiti, “then known as Saint-Domingue, was a sugar powerhouse that stood at the center of world trading networks,” writes Philippe Girard in his history of the Haitian war for independence. “Saint-Domingue was the perle de Antilles… the largest exporter of tropical products in the world.” The island colony was also at the center of the trade in plants that drove the scientific revolution of the time, and many a naturalist profited from the trade in slaves and sugar, as did planter, “physician, botanist, and inadvertent historiographer of the Haitian Revolution” Michel Etienne Descourtilz, the Public Domain Review writes.

Descourtilz’ 1809 Voyages d’un naturaliste “chronicles, among other adventures, a trip from France to Haiti in 1799 in order to secure his family’s plantations.” Instead, he was arrested and conscripted as a doctor under Jean-Jacques Dessalines.

The experience did not change his view that the island should be reconquered, though he did admit “the germ” of rebellion “must secretly have existed everywhere there were slaves.” Decourtilz chiefly spent his time, while not attending to those wounded by Napoleon’s army, collecting plants between Port-au-Prince and Cap-Haïtien.

In the dense tropical growth along the Artibonite river, now part of the border between Haiti and Cuba, Decourtilz learned much about the plant world — and maybe learned from some Haitians who knew more about the island’s flora than the Frenchman did. Rescued in 1802, Decourtilz returned to France with his plants and began to compile his research into taxonomic books, including Flores pittoresque et medicale des Antilles, in eight volumes, and a later, 1827 work entitled Atlas des champignons: comestibles, suspects et vénéneux, or “Atlas of mushrooms: edible, suspect and poisonous.”

As the title makes clear, sorting out the differences between one mushroom and another can easily be a matter of life and death, or at least serious poisoning. “Fly agaric, for example,” writes the Public Domain Review, “can resemble edible species of blushers.” Consumed in small amounts, it might cause hallucinations and euphoria. Larger doses can lead to seizures and coma. One can imagine the numbers of colonists in the French Caribbean who either had very bad trips or were poisoned or killed by unfamiliar plant life. Just last year alone in France, hundreds were poisoned from misidentified mushrooms.

To guide the mushroom hunter, cook, and eater, Decourtiliz’s book featured these rich, colorful lithographs here by artist A. Cornillon (which may remind us of the proto-psychedelic scientific art of Ernst Haeckel). He alludes to the great dangers of wild mushrooms in a dedication to “S.A.R., Duchesse de Berry” and promises his guide will prevent “mortal accidents” (those which “frequently occur among the poor.”) Descourtilz offers his guide, accessible to all, he writes, out of a devotion to the alleviation of human suffering. Read his Atlas of Mushrooms, in French at the Internet Archive, and see more of Cornillon’s illustrations here.

via Public Domain Review

Related Content:

Ernst Haeckel’s Sublime Drawings of Flora and Fauna: The Beautiful Scientific Drawings That Influenced Europe’s Art Nouveau Movement (1889)

1,000-Year-Old Illustrated Guide to the Medicinal Use of Plants Now Digitized & Put Online

Discover Emily Dickinson’s Herbarium: A Beautiful Digital Edition of the Poet’s Collection of Pressed Plants & Flowers Is Now Online

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

The Beautifully Illustrated Atlas of Mushrooms: Edible, Suspect and Poisonous (1827) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3pjUUSs
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca