Skip to main content

Dave Grohl Falls Offstage & Breaks His Leg, Then Continues the Show as The Foo Fighters Play Queen’s “Under Pressure” (2015)

How do you make the show go on after a broken leg?

The blessing we give performers before they go onstage isn’t something we actually want to see happen. Nonetheless, stage injuries occur frequently, and in some cases, severely, as when Patti Smith fell 15 feet into a concrete orchestra pit in 1977 and broke several vertebrae in her back. “I felt like an asshole,” she told Circus magazine, “but my doctor told me not to worry, it happens to everybody.”

Maybe not everybody, but when the Foo Fighters played Gothenburg, Sweden in 2015, Dave Grohl took a major spill from the front of the stage, breaking his leg, while a crowd of 52,000 people watched. They also watched as, several minutes later, his crew carried him back onstage while the rest of the band fittingly played Queen’s “Under Pressure.”

The fall happened during the second song of the show, and Grohl returned to play the entire 26-song set, his doctor kneeling next to him, holding his leg together.

It didn’t hurt until I wound up on my couch in my hotel room, with a beer in my hand. They gave me some really strong painkillers—I never take pills, but within half an hour I was like, “Get me the f—ing Oxys right now, man!” It was pretty painful. And then I thought I could just get up and do a show a week later after surgery, but I literally could not get out of bed for about six or seven days. It was so f—ing painful. I had never experienced anything like that in my life. 

With his leg in a cast, he determined that the band would make their Fourth of July show in Washington, DC, a return to Grohl’s hometown. “I started thinking… ‘I might not be able to get onstage next week,’” he told Entertainment Weekly, “‘but I’m not missing that Fourth of July show, and if that goes OK then we’re just going to keep going.’” The gig went so well the band kept touring, Grohl perched in a specially-designed stage throne.

“I love my job,” Grohl said, “I mean, f–, I’m out there with a broken leg and a plate and pins in a bone and I can’t even stand up, but I still want to get on stage and play, with my family. We’re not breaking up anytime soon, that would be like your grandparents getting a divorce.” There’s no shame in taking it easy after an injury, but if you’re a dedicated performer who lives onstage, you might heal even faster if you don’t. He’s all healed up now, but at the time, Grohl epitomized another old cliche — if you love what you do, you won’t have to work a day in your life, even when you go to work with a broken leg. Watch the fall just above and the triumphant return minutes later at the top of the post. Below you can see the reunion with the doctor who held his leg together.

Related Content: 

Watch 1,000 Musicians Play the Foo Fighters’ “Learn to Fly,” Nirvana’s “Smells Like Teen Spirit,” Queen’s “We Will Rock You,” Bowie’s “Rebel Rebel,” and The Who’s “Won’t Get Fooled Again”

Foo Fighters Perform “Back in Black” with AC/DC’s Brian Johnson: When Live Music Returns

Hear Dave Grohl’s First Foo Fighters Demo Recordings, As Kurt Cobain Did in 1992

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Dave Grohl Falls Offstage & Breaks His Leg, Then Continues the Show as The Foo Fighters Play Queen’s “Under Pressure” (2015) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2YLcCmQ
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca