Skip to main content

With 9,036 Pieces, the Roman Colosseum Is the Largest Lego Set Ever

“For a normal person back in the day,” says LEGO designer/architect Rok Kobe about the Colosseum in Rome, “You had never seen a building that was over a story high. And to be confronted with such an amazing piece of engineering that’s almost 200-meters wide and 50 meters tall, it was unprecedented.”

Similarly, any LEGO fan might feel this awe while greeting this month’s debut of the LEGO Colosseum. At 9036 pieces it has broken the record as the biggest LEGO set in existence, beating out the Star Wars’ Millennium Falcon (7,541 pieces) and the Taj Mahal (5,923 pieces). Every few years LEGO steps up its game, which might possibly end with a neighborhood-devouring replica of the Great Wall of China. But we’re getting ahead of ourselves.

The Colosseum’s facade has been faithfully recreated on all three levels, with the Doric columns at the bottom, the Ionic columns in the middle, and the Corinthian columns on top. And it also adds the contemporary part of the arena that has been rebuilt to show the original level of the arena in Roman times.

The original Colosseum was built over eight years between year 72 AD and 80 AD and between two emperors, Vespasian and Titus. And though we know it as a sandstone-colored structure these days, archeologists have determined it was also colored red, black, and azure. The LEGO version may not be so dramatic, but it does contain a bit more color than the real-life model.

Rok Kobe knows of what he speaks and models. Growing up in Ljubljana, capitol of Slovenia, he would play on the Roman ruins in the city center, especially the Roman Wall. “The five year old would be proud of the adult that got to design this LEGO set,” he says.

At $549.99, this is not a frivolous purchase. But it will bring an adult hours of fun and keep them occupied.

Related Content:

The Frank Lloyd Wright Lego Set

Cambridge University to Create a Lego Professorship

The LEGO Turing Machine Gives a Quick Primer on How Your Computer Works

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

With 9,036 Pieces, the Roman Colosseum Is the Largest Lego Set Ever is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/36bdFgT
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca