Skip to main content

The Eden Project Built a Rainforest Ecosystem Inside Buckminster Fuller-Inspired Geodesic Domes

Buckminster Fuller had a difficult time as an inventor in his early years. “Having been expelled from Harvard for irresponsible conduct,” notes The Guardian, “he struggled to find a job and provide a living for his young family in his early 30s.” Despite later successes, and a later reputation as legendary as Nikola Tesla’s, he was often, like Tesla, seen by critics as a utopian visionary, whose visions were too impractical to really change the world.

But his body of work remains a testament to an imagination that rises above the trends of industrial design and engineering. After a period of decline, for example, Fuller’s geodesic domes experienced a revival in the early 2000’s when “aging baby-boomers across America” began “building dream homes in the shape of geodesic domes.” Meanwhile in Cornwall, England, a few years ahead of the curve, Dutch-born businessman and archaeologist-turned-successful-music-producer Sir Timothy Smit broke ground on what would become a far more British use of Fullerist principles.

In the late 90s, Smit started work on an enormous complex of geodesic biomes called the Eden Project, a facility “akin to a quintessentially Victorian creation: the English greenhouse,” which reached its apex in the famed “Crystal Palace” built for the Great Exhibition in Hyde Park in 1851. These were buildings “born out of a playful, decadent imagination—yet in their architecture and design they often opened new pathways for the future.” So too do Fuller’s designs, in an application melding Victorian and Fullerist ideas about curatorship and sustainability.

Looking like “clusters of soap bubbles” the Eden Project slowly rose above an exhausted clay pit and opened in 2001 (see a short time-lapse film of the construction above). Each of the two huge central domes recreates an ecosystem. The Rainforest Biome allows visitors to get lost in nearly 4 acres of tropical forest and includes banana, coffee, and rubber plants. The Mediterranean Biome houses an acre and a half of olives and grape vines. Smaller adjoining domes house thousands of additional plant species. There is a performance space and a yearly music festival; sculptures and art exhibitions in both the indoor and outdoor gardens. The facility has hosted well over a million visitors each year.

Photo via Wikimedia Commons

In 2016, the Eden Project began planting redwoods, introducing a forest of the North American trees to Europe for the first time. Next year, it will begin drilling for a geothermal energy project to turn heat from the granite underground into power, an undertaking that, unlike fracking, will not release contaminants into the water supply or additional fossil fuels into the air and could power and heat the facility and 5000 additional homes. In 2018, the project began construction on Eden Project North, in Morecambe, Lancashire, with buildings designed to look like giant mussels and a focus on marine environments.

Eden Project International aims to build unique facilities all around the world, “to create new attractions with a message of environmental, social and economic regeneration” and “to protect and rejuvenate natural landscapes.” None of these ambitious expansions use the geodesic domes of the original Eden Project, but that is not a reflection on the domes’ structural soundness. Many other transparent uses of Fuller’s design have encountered difficulties with water tightness and heat flow. The Eden Project’s domes use innovative inflatable, triangular panels instead of glass to solve those problems. Fuller surely would have approved.

The project also represents a poignant personal vindication for the Fuller family. Fuller “vowed to dedicate his life to improving standards of living through good design,” The Guardian writes, after his daughter Alexandra died in 1922. In 2009, his only surviving child, Allegra Fuller Snyder, then 82 and Chairwoman of the Buckminster Fuller Institute, visited the Eden Project. “Of all the projects related to my father’s work,” she remarked afterward, “I would say that this is the one I am most aware of as being a powerful, comprehensive project…. My father would have been just thrilled. He would feel that it is a marvellous application of his thinking.”

Learn more about the Eden Project, which reopens December 3, here. And learn how to “create Eden wherever you are” with the project’s free resources for gardeners at home.

Related Content: 

Buckminster Fuller Rails Against the “Nonsense of Earning a Living”: Why Work Useless Jobs When Technology & Automation Can Let Us Live More Meaningful Lives

Buckminster Fuller’s Map of the World: The Innovation that Revolutionized Map Design (1943)

The Life & Times of Buckminster Fuller’s Geodesic Dome: A Documentary

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

The Eden Project Built a Rainforest Ecosystem Inside Buckminster Fuller-Inspired Geodesic Domes is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3m56cFO
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca