Skip to main content

The Polygraph: The Proto-Photocopy Machine Machine Invented in 1803 That Changed Thomas Jefferson’s Life

Today we associate the word polygraph mainly with the devices we call “lie detectors.” The unhidden Greek terms from which it originates simply mean “multiple writing,” which seems apt enough in light of all those movie interrogation scenes with their juddering parallel needles. But the first “polygraph machine” meriting the name long predates such cinematic clichés, and indeed cinema itself. Patented in 1803 by an Englishman named John Isaac Hawkins, it consisted essentially of twin pens, mounted side-by-side and connected by means of levers and springs so as always to move in unison. The result, in theory, was that it would make an identical copy of a letter even as the writer wrote it.

“The polygraph was pushing technology to the absolute limit,” but for years “it was nearly impossible to make it work correctly.” So says Charles Morrill, a guide at Thomas Jefferson’s estate Monticello, in the video above.

Despite the prolonged technical difficulties, the third president of the United States of America fell in love with the polygraph, “a device to duplicate letters, just the thing if you’re carrying on multiple conversations with different people all over the world. You want to keep a copy of the letter to catch yourself up, to see what you had written to cause a response” — and, of special concern to a national politician, to check on the exact degree to which the press was misquoting you.

Image by the Smithsonian, via Wikimedia Commons

Jefferson wrote nearly 20,000 letters, one of them a complaint to John Adams about suffering “under the persecution of Letters,” a condition ensuring that “from sun-rise to one or two o’clock, I am drudging at the writing table.” That the polygraph reduced this drudgery somewhat made it, in Jefferson’s words, “the finest invention of the present age.” Like technological early adopters today, Jefferson acquired each new model as it came out, the device having been continually retooled by American rights-holder Charles Willson Peale. By 1809 Peale had improved the polygraph to the point that Jefferson could write that it “has spoiled me for the old copying press the copies of which are hardly ever legible … I could not, now therefore, live without the Polygraph.” Imagine how he would’ve felt had Monticello been wired for e-mail.

Related Content:

Discover Thomas Jefferson’s Cut-and-Paste Version of the Bible, and Read the Curious Edition Online

Thomas Jefferson’s Great-Great-Great-Great-Great-Great Grandson Poses for a Presidential Portrait

Thomas Jefferson’s Handwritten Vanilla Ice Cream Recipe

Discover Friedrich Nietzsche’s Curious Typewriter, the “Malling-Hansen Writing Ball” (Circa 1881)

The First Music Streaming Service Was Invented in 1881: Discover the Théâtrophone

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

The Polygraph: The Proto-Photocopy Machine Machine Invented in 1803 That Changed Thomas Jefferson’s Life is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3fuxaEb
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca