Skip to main content

A Curious Herbal: 500 Beautiful Illustrations of Medicinal Plants Drawn by Elizabeth Blackwell in 1737 (to Save Her Family from Financial Ruin)

Sometimes beautiful things come out of terrible circumstances. This does not justify more terrible circumstances. But as evidence of the resilience, resourcefulness, and creativity of human beings—and more specifically of mothers in dire straits—we offer the following: A Curious Herbal, Elizabeth Blackwell’s finely illustrated, engraved, and colored “herbal,” the term for a “book of plants, describing their appearance, their properties and how they may be used for preparing ointments,” the British Library writes.

Born sometime around 1700 to a successful merchant family in Scotland, Elizabeth married Alexander Blackwell, a “shady character” who proceeded to drag her through a series of misadventures involving him posing as a doctor and a printer, despite the fact that he’d had no training in either profession.

Blackwell incurred several hefty fines from the authorities, which he could not pay, and he was finally remanded to debtor’s prison, an institution that often left women with young children to fend for themselves.

“With Alexander in prison, Elizabeth was forced to rely on her own resources to keep herself and her child.” Fortunately, she had been prepared with life skills during her prosperous upbringing, having learned a thing or two about business and “received tuition in drawing and painting, as many well-to-do young women then did.” Blackwell realized a publishing opportunity: finding no high-quality herbals available, she decided to make her own in “a rare triumph of turning desperation into inspiration,” Maria Popova writes.

After befriending the head curator Chelsea Physic Garden — a teaching facility for apprentice apothecaries established several decades earlier — she realized that there was a need for a handbook depicting and describing the garden’s new collection of mysterious plants from the New World. A keen observer, a gifted artist, and an entrepreneur by nature, she set about bridging the world’s need and her own.

The gorgeous book, A Curious Herbal (1737-39), was not all Blackwell’s work, though she completed all of the illustrations from start to finish. She also enlisted her husband’s help, visiting his cell to have him “supply each plant’s name in Latin, Greek, Italian, Spanish, Dutch, and German.” Blackwell produced 500 illustrations in total. She advertised “by word of mouth,” notes the British Library, “and in several journals” and “showed herself an adept businesswoman, striking mutually advantageous deals with booksellers that ensured the financial success of the herbal.”

Blackwell not only benefited her family and her readers, but she also gave her book to posterity—though she couldn’t have known it at the time. Her herbal has been digitized in full by the Biodiversity Heritage Library. The herbal will also give back to the natural world she lovingly rendered (including plants that have since gone extinct). Popova has made a selection of the illustrations available as prints to benefit The Nature Conservancy. See Blackwell’s digitized book in full here and order prints at Brain Pickings.

via BrainPickings

Related Content: 

Discover Emily Dickinson’s Herbarium: A Beautiful Digital Edition of the Poet’s Collection of Pressed Plants & Flowers Is Now Online

Historic Manuscript Filled with Beautiful Illustrations of Cuban Flowers & Plants Is Now Online (1826)

The Biodiversity Heritage Library Makes 150,000 High-Res Illustrations of the Natural World Free to Download

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

A Curious Herbal: 500 Beautiful Illustrations of Medicinal Plants Drawn by Elizabeth Blackwell in 1737 (to Save Her Family from Financial Ruin) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2UVTxJy
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca