Skip to main content

The Library of Congress Makes Its Archives Free for DJs to Remix: Introducing the “Citizen DJ” Project

Since the beginning of hip hop and turntablism, the best DJs have been the best crate diggers, people who would spend hours flipping thru old vinyl, unknown titles, rare cuts, and sometimes seriously out-of-fashion, embarrassing old records for those brief moments of music that when looped, could be spun into modern magic.

At the same time, hip hop sampling has also been a minefield for copyright law, so much that modern DJs shy away from sampling lest they spend months and or years seeking clearing rights.

Artist and computer scientist Brian Foo knows where there are plenty of crates that have yet to be dug: the Library of Congress. Already the author of several projects that turn data into music, Foo received a grant from the Library this year to do something amazing with their collection and offer it to the public.

Citizen DJ is the result and currently you can play around with the beta version. The above video features Foo leading you through the site, and I highly recommend you watch it before diving in.

Sound sources come from the Library’s many collections: Edison sound recordings, Variety Stage recordings, Joe Smith’s interviews with early 20th century celebrities, a collection of American dialect recordings, government information films, and their more modern free music archives.

You can browse these as a color-coded graphic tapestry or as a list, with plenty of filters to narrow down your search. Once you find a sound you like you can chop it up in a sequencer and then bring in loops, change the bpm, and create some very, very odd modern music. (If you're lucky it will also be funky!) Everything can be downloaded offsite into a (digital audio workstation) DAW of your choice.

Whatever you make, by the way, is yours to do with whatever you want, and that includes selling it as your own track. (Although it’s best-practice to credit the source and the Library).

Foo notes that the project is fully launching in late summer, but is really looking for your feedback, whether you are a professional musician or a curious citizen. (We also want to hear anything that you wind up making, so let us know.)

Related Content:

What Is Fair Use?: A Short Introduction from the Maker of Everything is a Remix

The Library of Congress Makes Thousands of Fabulous Photos, Posters & Images Free to Use & Reuse

The Library of Congress Makes 25 Million Records From Its Catalog Free to Download

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW's Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

The Library of Congress Makes Its Archives Free for DJs to Remix: Introducing the “Citizen DJ” Project is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2Sokd4I
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their...