Skip to main content

John Mayer Teaches Guitarists How to Play the Blues in a 45-Minute Masterclass

Playing the blues is easy, many a budding guitarist thinks—their starry eyes fixed on the mathiest, proggiest, djent-iest (or whatever) guitar pyrotechnics of their favorite 7- or 8-string slinger. Learn a minor pentatonic blues scale, a few barre chords, some sexy bends, a 12-bar progression and you’re off, right? Why spend time trying to play like Albert King (Jimi Hendrix’s idol) or Buddy Guy when you’re reaching for the ultimate sweep-picking technique, or whatever, in the competitive gamesmanship of guitar heroics?

I’ve encountered this kind of thinking among guitar players quite often and find it baffling given the blues essential place in rock and roll, metal included—and given how much more there is to playing blues than the stereotypical formulas to which the music gets reduced. Black Sabbath started as a blues band, Led Zeppelin never stopped being one, and it was Robert Johnson who turned the devil into rock's brooding, Byronic hero.

The crossroads story has been told in hindsight as a metaphor for Johnson's troubled, cursedly short life. But at the time, it was about envy on the part of his fellow bluesmen, who couldn’t believe how good he’d gotten in seemingly no time. Want to emerge from quarantine and inspire similar envy? The devil isn’t offering online lessons, but you can learn the blues from contemporary legend, John Mayer, whose posted the lesson above on his Instagram Live a few days back.

As with all such online lessons, everyone will respond differently to the teacher’s style. The format does not allow for Q&A, obviously, but you can pause and rewind indefinitely. Mayer doesn’t move too quickly; if you’re an intermediate player with a grasp on the basics, it won’t be hard to keep up. He comes across as easygoing and humble (not a quality he’s always been known for), and explains concepts clearly, relating them back to the fretboard each time.

As always, one will get out of the lesson what they put into it. Maybe no one will accuse you of conspiring with the evil one when you’ve mastered some of these techniques and incorporated them into your own playing. But you won’t have to lie, exactly, if you tell people you’ve been jamming with John Mayer. Or, if that’s not cool in your circles, come up with your own legend—abduction by a conspiracy of blues-playing aliens, perhaps.

However you explain it to your friends when we get out of the woodshed, I have no doubt that becoming a better blues player can improve whatever else you plan to do with the guitar.

Related Content:

Learn to Play Guitar for Free: Intro Courses Take You From The Very Basics to Playing Songs In No Time

James Taylor Gives Guitar Lessons, Teaching You How to Play Classic Songs Like “Fire and Rain,” “Country Road” & “Carolina in My Mind”

Pete Seeger Teaches You How to Play Guitar for Free in The Folksinger’s Guitar Guide (1955)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

John Mayer Teaches Guitarists How to Play the Blues in a 45-Minute Masterclass is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2ZiufZx
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca