Skip to main content

Fred Armisen Teaches a Short Seminar on the History of Punk

Long before Fred Armisen became known as a SNL cast member or one half of the dynamic duo behind Portlandia, he was a drummer in a punk band called Trenchmouth. Based out of Chicago, the band released four albums between 1988 and 1996 before disbanding. In that time, Armisen did a lot of drumming and saw a *lot* of bands. Many would go on to grab the fame that seemed to constantly elude his band. In the above clip from The Tonight Show, Armisen’s experience is put to hilarious good use with a trip through indie and punk rock history based on rhythm guitar styles.

He starts with a decent Lou Reed imitation to locate the original source at the Velvet Underground, then up through the Ramones and Sex Pistols, eventually winding its way through the ska-influenced pop-punk of Blink-182 and ending with the Strokes. Host Jimmy Fallon, as always, laughs non-stop throughout. And Armisen also name drops Sleater-Kinney as a knowing wink to his Portlandia mate Carrie Brownstein.

If this sounds like a well-rehearsed bit, well, it is. But when Armisen does it live, it’s on the drum set. In the below clip, he makes almost the same stops along the way on his journey. And it helped confirm my suspicion that his post-punk guitar bit (“I am a neon light”) is his parody of Wire.

Armisen spoke to Sam Jones on his monochromatic Off Camera interview show about his years of punk struggle with Trenchmouth, which will help place his numerous band-based comedy skits in the correct context.

Don’t miss his classic punk music SNL skits in the Relateds below. And if you are jonesing for the punk stylings of the hot, young Armisen, here’s live footage of Trenchmouth from 1992:

Related Content:

Classic Punk Rock Sketches from Saturday Night Live, Courtesy of Fred Armisen

Ian Rubbish (aka Fred Armisen) Interviews the Clash in Spinal Tap-Inspired Mockumentary

The Origins of Spinal Tap: Watch the 20 Minute Short Film Created to Pitch the Classic Mockumentary

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

Fred Armisen Teaches a Short Seminar on the History of Punk is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3chJU0h
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

Howard Zinn’s Recommended Reading List for Activists Who Want to Change the World

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for ...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...