Skip to main content

Carl Sagan Warns Congress about Climate Change (1985)

Without climate change, we couldn’t inhabit the Earth as we do today. The greenhouse effect, by which gases in a planet’s atmosphere increase the heat of that planet’s surface, “makes life on Earth possible.” So says Carl Sagan in the video above. He adds that without it, the temperature would be about 30 degrees centigrade cooler: “That’s well below the freezing point of water everywhere on the planet. The oceans would be solid.” A little of the climate change induced by the greenhouse effect, then, is a good thing, but “here we are pouring enormous quantities of CO2 and these other gases into the atmosphere every year, with hardly any concern about its long-term and global consequences.”

It’s fair to say that the level of concern has increased since Sagan spoke these words in 1985, when “climate change” wasn’t yet a household term. But even then, his audience was Congress, and his fifteen-minute address, preserved by C-SPAN, remains a succinct and persuasive case for more research into the phenomenon as well as strategies and action to mitigate it.

What audience would expect less from Sagan, who just five years earlier had hosted the hit PBS television series Cosmos, based on his book of the same name. Its broadcast made contagious his enthusiasm for scientific inquiry in general and the nature of the planets in particular. Who could forget, for example, his introduction to the “thoroughly nasty place” that is Venus, research into whose atmosphere Sagan had conducted in the early 1960s?

Venus is “the nearest planet — a planet of about the same mass, radius, density, as the Earth,” Sagan tells Congress, but it has a “surface temperature about 470 degrees centigrade, 900 Fahrenheit.” The reason? “A massive greenhouse effect in which carbon dioxide plays the major role.” As for our planet, estimates then held that, without changes in the rates of fossil fuel-burning and “infrared-absorbing” gases released into the atmosphere, there will be “a several-centigrade-degree temperature increase” on average “by the middle to the end of the next century.” Given the potential effects of such a rise, “if we don’t do the right thing now, there are very serious problems that our children and grandchildren will have to face.” It’s impossible to know how many listeners these words convinced at the time, though they certainly seem to have stuck with a young senator in the room by the name of Al Gore.

Related Content:

A Century of Global Warming Visualized in a 35 Second Video

Watch “Degrees of Uncertainty,” an Animated Documentary about Climate Science, Uncertainty & Knowing When to Trust the Experts

Bill Gates Lets College Students Download a Free Digital Copy of His Book, How to Avoid a Climate Disaster

Carl Sagan Predicts the Decline of America: Unable to Know “What’s True,” We Will Slide, “Without Noticing, Back into Superstition & Darkness” (1995)

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Carl Sagan Warns Congress about Climate Change (1985) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3coXe2Z
via Ilumina

Comments

Popular posts from this blog

What Voltaire Meant When He Said That “We Must Cultivate Our Garden”: An Animated Introduction

“Voltaire’s goal in writing [his 1759 satire Candide ] was to destroy the optimism of his times,” says Alain de Botton in the School of Life video above, “an optimism that centered around science, love, technical progress, and a faith in reason.” These beliefs were folly, Voltaire thought: the transfer of faith from a providential God to a perfect, clockwork universe. Candide satirizes this happy rationalism in Doctor Pangloss, whose belief that ours is the best of possible worlds comes directly from the philosophical optimism of Gottfried Leibniz . The preponderance of the evidence, Voltaire made abundantly clear in the novel’s series of increasingly horrific episodes, points toward a blind, indifferent universe full of needless cruelty and chaos. “Hope was, he felt, a disease,” de Botton says, and “it was Voltaire’s generous goal to try and cure us of it.” But as everyone who has read Candide (or read a summary or brief notes on Candide ) knows, the novel does not end with ...

An Interactive Map of Odysseus’ 10-Year Journey in Homer’s Odyssey

The Odyssey , one of Homer's two great epics, narrates Odysseus' long, strange trip home after the Trojan war . During their ten-year journey, Odysseus and his men had to overcome divine and natural forces, from battering storms and winds to difficult encounters with the Cyclops Polyphemus, the cannibalistic Laestrygones, the witch-goddess Circe and the rest. And they took a most circuitous route, bouncing all over the Mediterranean, moving first down to Crete and Tunisia. Next over to Sicily, then off toward Spain, and back to Greece again. If you're looking for an easy way to visualize all of the twists and turns in  The Odyssey , then we'd recommend spending some time with the  interactive map created by Gisèle Mounzer .  "Odysseus' Journey"  breaks down Odysseus' voyage into 14 key scenes and locates them on a modern map designed by Esri, a company that creates GIS mapping software. Meanwhile, if you're interested in the whole concept of ...

Glenn Gould Explains Why Mozart Was a Bad Composer in a Controversial Public TV Show (1968)

No matter how eccentric Glenn Gould’s interpretations of major composers might have been, his friend and promoter Leonard Bernstein found them worthy of performance, even if he didn’t quite agree. In “ The Truth About a Legend ,” his tribute essay to Gould after the pianist’s death, Bernstein wrote, “Any discovery of Glenn’s was welcomed by me because I worshipped the way he played: I admired his intellectual approach, his ‘guts’ approach.” Are these contradictions? Glenn Gould was a complicated man, a brilliantly abstract thinker who threw his full physical being into his playing. When Gould slowed a Brahms concerto to a crawl, so slow that “it  was  very tiring” for the orchestra to play, he was convinced he had discovered a secret key to the tempo within the piece itself. Bernstein had profound doubts, tried several times to dissuade Gould, and warned the orchestra, “Now don’t give up, because this is a great man, whom we have to take very seriously.” Not all of G...