Arts and Culture

To the serious Bowie fan, the unreleased self-covers album Toy is not a secret. This collection of reworked pre-“Space Oddity” songs recorded with his touring band from his 2000 Glastonbury appearance was bootlegged a year after it was shelved in 2001. And it has been re-pressed illegally nearly every year since, sometimes as Toy and sometimes as The Lost Album . Some of the fourteen cuts popped up as b-sides over the years, but the whole album? Maybe, fans thought…one day. Well, that one day is here, as the first single “You’ve Got a Habit of Leaving” dropped yesterday along with an announcement for a larger 90’s-encompassing box set release coming soon after. According to Chris O’Leary’s Pushing Ahead of the Dame webpage —which you really should bookmark if you haven’t yet—the original version of “You’ve Got a Habit of Leaving” was written when he was only 18, and earned him a reprimand from none other than The Who’s Pete Townshend. ”You’re trying to write like me!” said

There have been more than 2,000 nuclear explosions in all of history — which, in the case of the technology required to detonate a nuclear explosion, goes back only 76 years. It all began, according to the animated video above , on July 16, 1945, with the nuclear device code-named Trinity. The fruit of the labors of the Manhattan Project , its explosion famously brought to the mind of theoretical physicist Robert J. Oppenhemier a passage from the  Bhagavad Gita : “Now I am become Death, destroyer of worlds.” But however revelatory a spectacle Trinity provided, it turned out merely to be the overture of the nuclear age. Created by Ehsan Rezaie of  Orbital Mechanics , the video offers a simple-looking but deceptively information-rich presentation of every nuclear explosion that has so far occurred. It belongs to a perhaps unlikely but nevertheless decisively established genre, the animated nuclear-explosion time-lapse, of which we’ve previously featured examples from Business Insid

Please watch out for each other and love and forgive everybody. It’s a good life, enjoy it. — Jim Henson Born in Greenville, Mississippi, Jim Henson spent his youth practicing the tenets of Christian Science, a faith he would officially renounce in 1975. But the power of positive thinking his early religion years instilled would persist, romanticized by his alter-ego, Kermit the Frog , and tempered by foils like the earthy, irascible Ms. Piggy. For every foul-mouthed Oscar the Grouch, there was always a lovable Big Bird, “Jim taught us many things: to save the planet, be kind to each other, praise God, and be silly,” said Muppet writer Jerry Juhl at Henson’s 1990 New York City memorial service . “That’s how I’ll remember him — as a man who was balanced effortlessly and gracefully between the sacred and the silly.” Henson’s first memorial, held at the cavernous Cathedral of St. John the Divine bore witness to Juhl’s portrait of the late, brilliant creator’s legacy. In true He

This month marks the 30th anniversary of Nirvana’s Nevermind , first released on September 24, 1991, “the day,” writes Michael Tedder at Stereogum , “that college radio-nurtured types and arty hard rock officially became rebranded as Alternative Rock, and, according to legend, everything changed forever.” You might believe that legend even if you remember the reality. Yes, “Smells Like Teen Spirit” was just as huge as everybody says — and, yes, you likely recall where you were when you first saw the video or heard the song explode with Pixies-inspired quiet-loud ferocity from the radio. But the change was already on the way. Nirvana emerged in a pop music landscape slowly becoming saturated with alternative music. You might also remember where you were the first time you saw the video for Depeche Mode’s “Enjoy the Silence,” for example, or R.E.M.’s “Losing My Religion,” or Sinéad O’Connor’s “Nothing Compares 2 U” — or when you first experienced the dynamic/melodic assault of

In the contest for the title of the most American historical figure of them all, Thomas Morton ‘s name can’t be left out. Businesslike, litigious, given to rhapsodies over nature, and not resistant to turning celebrity, he was also — in a characteristically American manner — born elsewhere. Back in Devon, England, he’d made his name as a lawyer, representing members of the lower class in court, but in 1622 he was hired by investor Sir Ferdinando Gorges on a trip to handle his affairs in the North American colonies. This was just two years after the founding of Plymouth Colony , whose success had inspired many an English businessman to contemplate getting in on the New World action himself. In 1624, Gorges sent Morton across the Atlantic again, this time with everything needed to found a colony of his own. Morton was not a Puritan, nor was he “on board with the strict, insular, and pious society they had hoped to build for themselves,” as Atlas Obscura’s Matthew Taub puts it . Though

In his influential 1936 essay, “The Work of Art in the Age of Mechanical Reproduction,” critic Walter Benjamin used the word “aura” to describe an artwork’s “presence in time and space” — an explanation of the thrill, or chill, we get from standing before a Jackson Pollock, say, or a Michelangelo, rather than a photograph of the same. Writing in the age of radio, photography, and newspapers, Benjamin believed that aura could not be transmitted or copied: “Even the most perfect reproduction of a work of art is lacking in one element” — that rare thing that makes art worth preserving and reproducing in the first place. Let’s grant, for the sake of argument, that musical instruments have aura — that the very sounds they make are its manifestation, and that, no matter how sophisticated our technology, we may never reproduce those sounds perfectly. As Hank Green explains in the SciShow video above: “For centuries, musicians, instrument makers, engineers, and scientists have been tr

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_106_9-3-21.mp3   Your host Mark Linsenmayer discusses how Internet culture has changed stand-up with three comedians: past Pretty Much Pop guests Rodney Ramsey (who co-owns the Unknown Comedy Club ) and Daniel Lobell (host of Modern Day Philosophers and author of the Fair Enough comic), plus Dena Jackson (also a speaker on yoga and mindfulness and host of The Ego Podcast ). How does the existence of YouTube, social media, and virtual spaces changed the way comedians construct a set, relate to their fans, and make a living? We talk about story-telling vs. one-liners, repping your hometown, comedy cliques, surviving negativity, and more. Some articles that go into these issues further include: “ Is Social Media Ruining Comedy? ” by Ian Crouch “ Comedy from a Distance ” by Misha Rajani “ Laugh Out Loud, Virtually ” by Shreya Veronica “ How 5 Chicago Standup Comics Learned to Stop Worryi