Skip to main content

Sean Connery (RIP) Reads C.P. Cavafy’s Epic Poem “Ithaca,” Set to the Music of Vangelis

This video combines three things that make me happy: the voice of Sean Connery (who passed away today), the music of Vangelis (Blade Runner, Chariots of Fire), and the poetry of C.P. Cavafy. Put them all together and you get a blissful soundscape of rolling synth lines, rolling Scottish R’s, and a succession of Homeric images and anaphoric lines. And the video’s quite nice as well.

Cavafy, whose work, I’m told, is really untranslatable from the original Greek, always seems to come out pretty well to me in English. “Ithaca,” one of his most popular poems, expresses what in lesser hands might be a banal sentiment akin to “it’s the journey, not the destination.” But in Cavafy’s poem, the journey is both Odysseus’s and ours; it’s epic where our lives seem small, and it translates our minor wanderings to the realm of mythic history.

Anyway, it seems rude to say much more and drown the poem in commentary. So, follow along with Sean Connery.

Find the text of the poem after the jump.

ITHACA [1910, 1911]
As you set out for Ithaca
hope that your journey is a long one,
full of adventure, full of discovery.
Laestrygonians and Cyclops,
angry Poseidon-don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare sensation
touches your spirit and your body.
Laestrygonians and Cyclops,
wild Poseidon-you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope that your journey is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you come into harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind-
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and learn again from those who know.

Keep Ithaca always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so that you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaca to make you rich.
Ithaca gave you the marvelous journey.
Without her you would have not set out.
She has nothing left to give you now.

And if you find her poor, Ithaca won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithacas mean.

Note: An earlier version of this post appeared on our site in 2012.

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Sean Connery (RIP) Reads C.P. Cavafy’s Epic Poem “Ithaca,” Set to the Music of Vangelis is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/34KGEaY
via Ilumina

Comments

Popular posts from this blog

What Voltaire Meant When He Said That “We Must Cultivate Our Garden”: An Animated Introduction

“Voltaire’s goal in writing [his 1759 satire Candide ] was to destroy the optimism of his times,” says Alain de Botton in the School of Life video above, “an optimism that centered around science, love, technical progress, and a faith in reason.” These beliefs were folly, Voltaire thought: the transfer of faith from a providential God to a perfect, clockwork universe. Candide satirizes this happy rationalism in Doctor Pangloss, whose belief that ours is the best of possible worlds comes directly from the philosophical optimism of Gottfried Leibniz . The preponderance of the evidence, Voltaire made abundantly clear in the novel’s series of increasingly horrific episodes, points toward a blind, indifferent universe full of needless cruelty and chaos. “Hope was, he felt, a disease,” de Botton says, and “it was Voltaire’s generous goal to try and cure us of it.” But as everyone who has read Candide (or read a summary or brief notes on Candide ) knows, the novel does not end with ...

An Interactive Map of Odysseus’ 10-Year Journey in Homer’s Odyssey

The Odyssey , one of Homer's two great epics, narrates Odysseus' long, strange trip home after the Trojan war . During their ten-year journey, Odysseus and his men had to overcome divine and natural forces, from battering storms and winds to difficult encounters with the Cyclops Polyphemus, the cannibalistic Laestrygones, the witch-goddess Circe and the rest. And they took a most circuitous route, bouncing all over the Mediterranean, moving first down to Crete and Tunisia. Next over to Sicily, then off toward Spain, and back to Greece again. If you're looking for an easy way to visualize all of the twists and turns in  The Odyssey , then we'd recommend spending some time with the  interactive map created by Gisèle Mounzer .  "Odysseus' Journey"  breaks down Odysseus' voyage into 14 key scenes and locates them on a modern map designed by Esri, a company that creates GIS mapping software. Meanwhile, if you're interested in the whole concept of ...

Glenn Gould Explains Why Mozart Was a Bad Composer in a Controversial Public TV Show (1968)

No matter how eccentric Glenn Gould’s interpretations of major composers might have been, his friend and promoter Leonard Bernstein found them worthy of performance, even if he didn’t quite agree. In “ The Truth About a Legend ,” his tribute essay to Gould after the pianist’s death, Bernstein wrote, “Any discovery of Glenn’s was welcomed by me because I worshipped the way he played: I admired his intellectual approach, his ‘guts’ approach.” Are these contradictions? Glenn Gould was a complicated man, a brilliantly abstract thinker who threw his full physical being into his playing. When Gould slowed a Brahms concerto to a crawl, so slow that “it  was  very tiring” for the orchestra to play, he was convinced he had discovered a secret key to the tempo within the piece itself. Bernstein had profound doubts, tried several times to dissuade Gould, and warned the orchestra, “Now don’t give up, because this is a great man, whom we have to take very seriously.” Not all of G...